Chiara Bassermann brought a new kind of quiet power to the red carpet at the 82nd Venice International Film Festival, proving that impactful style doesnt always need a theatrical silhouette or a sea of sequins. The look was a masterclass in elegant restraint (and a welcome departure from over-the-top glamour).
The actress appeared poised and statuesque in a form-fitting, off-the-shoulder gown . The dress, in a rich, matte black, was a striking study in simplicity, its fabric appearing to be a high-quality crepe or thick wool that hugged her frame without a single wrinkle. The deep V-neckline was softened by the gentle, folded neckline of the off-shoulder design, creating an alluring contrast that was both modest and confident. The silhouette was clean and streamlined, a classic mermaid cut that flowed gracefully to the floor, extending her already slender figure. It was an outfit that felt less like a costume and more like a second skin.
Bassermann’s jewelry served as the focal point of the ensemble. A stunning, multi-colored gemstone necklace sat at the base of her throat, a vibrant cascade of oval-cut stones in shades of green, yellow, pink, and blue, each framed by what appeared to be tiny diamonds. This vibrant piece added a pop of unexpected color to the otherwise monochromatic look, creating a playful conversation between the dress and the accessories. Small, diamond-encrusted hoop earrings and a few simple rings completed the look, allowing the necklace to be the singular statement piece.
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Italian influencer Alessia Lanza delivered a dose of dark romance on the Venice red carpet (and made a definitive case for wet-look hair), with an avant-garde gown that was equal parts sculptural and ethereal.
Alessia Lanza brought an unforgettable moment to the 82nd Venice International Film Festival , appearing in a striking, all-black ensemble. The dress was a captivating piece of art, defined by its intricate, feathery details and an illusion bodice. The sheer, corset-like top created a daringly sculpted silhouette, with what appeared to be strips of nude-colored fabric layered underneath a whisper-thin material that blended seamlessly with her skin. From this structure, delicate, pointed feathers or frayed ruffles fanned outwards across her décolletage, giving the impression of a mythical bird in flight.
The skirt of the gown was equally as dramatic, crafted from a heavily textured fabric that cascaded down in layers of black fringe or shredded material. The skirt’s texture was in powerful contrast to the smooth, bare skin of her shoulders and arms, creating a look that was tactile and visually arresting. It was a silhouette that was both fitted and flowing, showcasing her figure while maintaining a sense of dramatic flair.
For more on what celebrities are wearing on and off the red carpet, check out our celebrity style gallery.
Emanuela Fanelli makes a memorable statement in crisp white suiting, balancing strong tailoring with a soft silhouette for the Venice premiere of Father Mother Sister Brother.
An elegant departure from the usual high-drama gowns, Emanuela Fanelli’s ensemble at the 82nd Venice International Film Festival offered a masterclass in understated power. The actor chose a striking full-length, double-breasted coat dress that felt both architectural and fluid.
The coat dress, a pristine shade of white, is defined by its clean lines and minimalist aesthetic. The fabric, likely a smooth wool crepe or high-quality gabardine, drapes beautifully, lending a statuesque quality to the silhouette. A deep, plunging V-neck adds a touch of modern allure, while the six buttons—three on each side—appear to be covered in the same white fabric, creating a seamless, monochromatic look. The cuffs are also accented with similar buttons, providing a subtle detail that completes the tailored feel.
