Chloé Fineman’s latest fashion venture—co-starring sister Emma—is a nostalgic fever dream of denim, drama, and self-aware camp, all stitched into MOTHER’s cult-cool capsule.
When Chloé Fineman does fashion, she doesn’t just wear it—she performs it. And in the September 2025 debut of her capsule collection with MOTHER, she brought along a co-star: her sister, artist Emma Fineman. The result? A sartorial sitcom of vintage Americana, meta humor, and denim with a wink.
The promotional poster alone sets the tone: Chloé in a white emblem hat and brown leather jacket, hands raised in mock surprise, framed by pink curtains and the word “MOTHER” hovering above like a sitcom title card. It’s not just branding—it’s character building.
Across the campaign, the Fineman sisters serve a rotating cast of retro personas. Chloé’s red-and-blue plaid shirt tucked into a high-waisted black leather skirt is pure 1970s secretary meets Parisian punk. A white beret and knee-high boots complete the look, balancing rebellion with refinement. Emma, meanwhile, leans into denim maximalism: a button-down jumpsuit with flared sleeves, paired with floral socks and white heels. It’s a look that could’ve walked off a 1974 album cover—or a Wes Anderson set.
Chloé and Emma Fineman’s MOTHER capsule is a reminder that fashion can be funny, nostalgic, and deeply personal—all at once. For more moments where style meets storytelling, explore our archive of celebrity fashion .
Laura Wontorra blends minimalist tailoring with maximal self-awareness—her Women’s Health cover is part fashion moment, part manifesto for modern resilience.
Laura Wontorra doesn’t just wear confidence—she narrates it. In the May 2025 issue of Women’s Health , the German TV host and wellness advocate steps into the spotlight with a look that’s as intentional as her lifestyle philosophy. The cover and editorial spread are less about posing and more about positioning—Wontorra as a woman who’s mastered the art of balance, both sartorial and spiritual.
“I’m equipped with a relatively high level of self-confidence,” she declares in the feature’s headline—a line that reads less like bravado and more like a quiet truth. And the styling follows suit: clean, composed, and quietly commanding.
On the cover, Wontorra wears a light yellow sports bra and shorts—athleisure with a purpose—layered under a structured brown blazer that adds polish without pretension. The textures are tactile: soft jersey meets crisp tailoring, a juxtaposition that mirrors her duality as both athlete and anchor. In the editorial, she shifts into a beige Victoria Beckham blazer over a white blouse from Spook, the word “sebas” peeking out like a whispered signature. The silhouette is relaxed but refined, a nod to power dressing without the shoulder pads.
Gold jewelry by Sévigné and Maria Black punctuates the look—rings, earrings, and a necklace that shimmer without shouting. The synergy is subtle: each piece feels chosen, not styled. It’s the kind of accessorizing that suggests a woman who knows what works and doesn’t need to prove it.
The photography is clean, high-key, and editorial—white backgrounds, soft shadows, and poses that feel lived-in rather than rehearsed. Wontorra’s gaze is direct, her posture relaxed but intentional. She’s not selling a fantasy—she’s inviting you into a reality she’s curated with care.
The accompanying interview reads like a wellness manifesto. Wontorra speaks candidly about her daily rituals: oatmeal with almond milk and berries, tofu salads, and steamed vegetables. No gluten, no sugar, no caffeine. But she’s no absolutist—“If I feel like eating something, I eat it,” she says. Her sport routine is equally fluid: yoga, jogging, strength training, and dance. It’s not about discipline—it’s about joy.
Hair is loose and wavy, makeup minimal with a dewy finish. The overall mood is one of ease—nothing forced, nothing filtered. It’s the kind of styling that lets the woman speak louder than the wardrobe.
KateLynn Newberry leaned into horror-glam at Houston’s cult-favorite film fest—corsets, chains, and boots that stomped straight out of a vampire rave.
There’s something deliciously theatrical about a celebrity who dresses for the mood, not just the moment. At the Houston Horror Film Fest 2025, KateLynn Newberry didn’t just attend—she conjured. Against a backdrop of acid-green skulls and bold yellow lettering, her look was a love letter to gothic subculture with a cinematic twist.
Forget subtlety. Newberry’s outfit was a full-throttle embrace of horror couture—equal parts Victorian ghost and punk renegade. It wasn’t cosplay. It was character study.
The centerpiece: a black corset top with off-the-shoulder sleeves, structured to sculpt and dramatize. The fabric appeared matte, possibly cotton-blend or faux leather, with boning that gave it a rigid, almost armor-like silhouette. Paired with a pleated skirt featuring vertical stripes and dangling chain details, the look balanced hard and soft—discipline and chaos. The skirt’s movement added kinetic energy, while the chains introduced a metallic glint that caught the flashbulbs like a warning.
Knee-high lace-up boots grounded the ensemble with a stomp-ready attitude—think combat meets cabaret. Jewelry was minimal, letting the chains on the skirt do the talking. The entire look felt curated, not cluttered. It was gothic, yes, but with editorial restraint.
KateLynn Newberry’s appearance at Houston Horror Film Fest wasn’t just a fashion moment—it was a genre performance. For more looks that blur the line between costume and couture, dive into our archive of street style .
