Chloe Bailey wore a halter-style black gown with sheer textured panels to the 68th GRAMMY Awards Pre-GRAMMY Gala in Beverly Hills in 2026.
At the 68th GRAMMY Awards Pre-GRAMMY Gala and Salute to Industry Icons in Beverly Hills on January 31, Chloe Bailey didn’t need declarations or excess to steal the moment. She walked in wearing a look that relied on stretch, sculpt, shadow — and her own impossible composure.
The dress: a black halter gown that read like sculpture in motion. Ribbed texture throughout, cut on multiple angles, hugging hip and bust with different levels of tension. It wrapped sharply at the neck before crashing into a deep, jagged neckline , almost shredded at the center like it had survived something. Sheer paneling played tricks on the eye — the kind that makes you double-take, not because it’s revealing, but because the textile is too precise.
It was a fashion moment with muscle — strategic, not just sexy.
The styling? Strong and simple. Pointed black stilettos , no excessive shine. Small earrings, pulled-back hair, warm-toned makeup with a smoky eye and a bare lip. The balance leaned inward — expression over overt styling.
And her posture gave it context: shoulders back, one hand relaxed at the side, the other barely brushing her hip. Not posing. Placing. Owning.
The moment wasn’t louder than the look — it didn’t have to be. This was a red carpet built around restraint, performed with sharpness.
Halle Bailey wore a ruched red halter gown with sculpted details at the 68th GRAMMY Awards Pre-GRAMMY Gala in Beverly Hills in January 2026.
At the 68th GRAMMY Awards Pre-GRAMMY Gala & Industry Salute in Beverly Hills on January 31, Halle Bailey delivered a look that felt both grounded and glowing — no embellishment, no theatrics. Just form, color, presence.
She wore a sleek red halter gown , fitted through the torso and ruched gently at the waist. The fabric clung, not tightly, but with control — like it knew exactly where to sit. A gathered detail wrapped at the hips, drawing the silhouette inward before letting the skirt ease into a soft column. No train, no drama. Just enough textile to move with her but never distract.
The neckline ran up into a clean halter, opening the shoulders and showing off her collarbones with quiet precision. Her signature locs were styled into a high ponytail, neatly braided close to the scalp and leaving her face fully defined and uplifted. Matching silver hoops and rings were the only accessories. Makeup stayed luminous and honest — warm contour, soft copper shimmer, bare lip.
It wasn’t a look at me gown. It was more I’m here, and you see me.
Red dresses aren’t bold by default — they’re only as strong as the woman inside them. Halle didn’t just wear this gown. She knew how to walk in it.
Selena Gomez wore a black satin Magda Butrym blazer dress with sheer tights and heels to celebrate Rare Beauty’s Ulta launch on January 31, 2026.
At the official Rare Beauty x Ulta launch event in El Segundo, California, on January 31, 2026, Selena Gomez didn’t treat the red carpet like just another press stop — she owned it. Posing against a berry-toned backdrop that screamed product launch chic, she wore a black satin blazer dress by Magda Butrym , cut with sharp shoulders, a nipped-in waist, and one sculptural flourish: an oversized floral appliqué blooming from her hip like a silent punctuation mark.
The dress balanced structure and softness — tailored like a power suit, but styled as a party piece. Sheer black tights kept the visual line clean while adding just enough texture. Black pointed pumps with gold embellishment grounded the look, offering a wink of shine without stealing attention.
The whole thing worked like a meta-statement — beauty brand founder showing up in a look that says “editor-in-chief after hours.” No flashy branding. No literal makeup tie-ins. Just confidence shaped into satin folds. Hair worn dead straight , center-parted, anchored the overall symmetry. And because it’s a Rare Beauty event, the makeup? Obviously on point — sculpted skin, soft neutral blush, classic nude gloss, and a smudged cat eye sharp enough to sign a licensing deal.
You could call it press event style or chalk it up to front row fashion , but these are technical labels. What Selena wore was more precise than promotion — the look of a woman threading legacy through product, platform, and presence.
