Chloe Zhao wore an asymmetric black gown with structured cutouts and a headband to the 78th Annual DGA Awards in California, February 2026.
There’s effortless, and then there’s Chloe Zhao walking onto the DGA Awards carpet in a black gown that’s quietly chaotic in all the right ways. No shine. No sparkle. Just structure and softness fighting for control — and somehow agreeing to coexist.
She wore a floor-length black gown , simple at first glance but let it breathe and you’ll see the asymmetry working overtime . One long sleeve. One shoulder exposed. One cutout at the side, kissing just above the hipbone. It’s not flashy — the fabric is soft and matte — but it’s giving deliberate imbalance, and she owns it.
The headband ? Not irony. Not kitsch. Just a functional black band pushed into middle-parted waves like it never left her bag. And still, it ties the whole thing together. Jewelry is minimal: slim gold bangles, a delicate chain necklace with a whisper of shape tucked right under her collar. It’s more “didn’t take it off,” less “added for the carpet.”
Her look reads like a fashion version of her filmmaking — clean but always with something lurking under the surface. Controlled. Self-aware. Uninterested in embellishment.
As a red carpet move? It’s smart. This is the part of the awards season where everyone else starts to run out of steam, overdo it, miss the mark. Chloe just… arrives. Fully herself. No fuss, no filler.
Final word? A dress that doesn’t need noise to strike.
Alix Earle wore a green Gucci leather jacket, mini skirt, Le Specs sunglasses, and vintage boots to the Fanatics Super Bowl Party 2026.
Alix Earle isn’t easing into Super Bowl weekend—she’s coming in sharp, zipped, and era-specific. At the 2026 Fanatics Super Bowl Party in San Francisco, she rolled up in Tom Ford-era Gucci and made it look born for the moment.
Let’s start with the green leather jacket . It’s from Gucci’s Tom Ford Fall 1999 collection , and you can feel it. The structure is precise: cinched through the waist with full-length zipper detailing and that signature ruched center. It hits at the hips for that slightly cropped effect, chic but grounded. It feels both archival and straight off the street.
From there, she kept it brutally simple. A black micro mini skirt , flat, no embellishment, just enough fabric. Legs bare except for a vintage finish: Gucci knee-high boots , pointed toe, mid-heel, tight to the calf—total ’90s energy. It’s very club kid with standards . The boots do a lot of lifting here, literally and contextually.
The best part? The head tilt framed by Le Specs Star Beam sunglasses in Matte Black Smoke Mono —oval, retro-inspired, straight-faced. They sit low on her nose like the flashbulbs don’t matter. Add softly waved blonde hair, glossed lips, and a casual stack of rings, and it’s done.
This red carpet fashion moment works because she picked a statement piece with history, then let the proportions carry everything else. No glitter. No branding overload. And somehow, still loud.
Final judgment? She didn’t borrow the ’90s—she took the wheel.
Lauren Miller wore a gold leopard midi dress and Seth Rogen wore a black velvet tuxedo at the 78th DGA Awards 2026.
If you ask me, nothing beats a couples red carpet moment where both halves keep it sharp without competing. That’s exactly what Lauren Miller and Seth Rogen delivered at the 78th Annual DGA Awards in Los Angeles.
Lauren’s look leans playful-chic. She picked a sleeveless midi dress cut from gold cloth scattered with tiny black leopard spots . The fit is easy through the bodice, then widens into an A-line that hits just above the ankle — practical for moving through a crowded press line. A slim black border at the hem gives the print some breathing room. Black pointed pumps, a simple gold chain, and a snaking cuff bracelet keep the focus on the pattern. I’m calling it now: the dress works because the print stays tight and consistent — no confusing size shifts, no clash.
Seth matched her energy with a classic black velvet tuxedo . The double-breasted jacket hangs well, its subtle sheen catching flash bulbs without reading flashy. Crisp white shirt, tidy bow tie, and glossy brogues finish the deal. The best part? The velvet’s depth plays off Lauren’s print instead of overshadowing it.
Here’s why this combo lands: both outfits feel comfortable enough for a long night but punchy enough for the photos every celebrity red carpet demands. Neither tries too hard. They look like themselves, just polished.
Would I tweak anything? Maybe a bolder lipstick or a pocket square, but honestly, the coordination already does the talking. To sum it up: two outfits, zero fuss, solid impact.
