Ricci channels a noir fairytale in Betsey Johnson’s latest—ruffled tulle, sheer veils, and a swing set that feels more Tim Burton than playground chic.
Christina Ricci has always had a knack for turning nostalgia into high fashion—this time, she’s doing it with a swing, quite literally. In Betsey Johnson’s Fall 2025 campaign, Ricci reemerges as a gothic muse, perched on a studio swing in a series of monochrome portraits that feel equal parts editorial and eerie.
The opening image is arresting: Ricci sits poised in a feathered jacket layered over a sequined dress, her long dark hair and blunt bangs framing a face that’s both doll-like and defiant. The textures clash and harmonize—feathers against sequins, matte against shimmer—creating a tactile tension that’s pure Betsey. The swing, suspended by industrial chains, adds a surreal edge, as if Ricci’s about to float off into a black-and-white dreamscape.
In another frame, she’s grounded—literally—seated on the floor in a voluminous black tulle dress that billows like smoke. Her accessories are deliberate: black patterned flats, sheer tights, and a floral-adorned handbag that nods to Johnson’s signature kitsch. The styling is theatrical but never costume-y. It’s fashion with a wink.
Never one to follow the trends, Lana Del Rey unveils a dreamy, ethereal look—a perfect synthesis of nostalgic romance and modern softness—for W Magazine.
Del Rey’s latest photoshoot captures her signature vintage aesthetic with a fresh, contemporary touch. The singer appears bathed in a soft light, her gaze direct and captivating, as she debuts a look that feels both effortless and meticulously crafted. The outfit’s centerpiece is a soft-pink, knitted top with a distinct, ribbed texture and a whimsical, tied bow at the chest. The open knit suggests a lightness, a gentle drape that falls over her frame, avoiding any harsh lines. The color is subtle, almost a whisper, creating a delicate canvas for the rest of the ensemble.
A closer look reveals the thoughtful details that elevate the styling. Del Rey holds a vibrant red handbag , its gold chain strap providing a sharp, luxurious contrast to the gentle pink of her top. The bag’s rich color and sleek finish ground the look, preventing it from floating away into pure fantasy. The accessories don’t stop there. Cascading from her ears are elegant, tear-drop shaped earrings in a stunning shade of blue, their facets catching the light. These cool-toned jewels are an unexpected pop of color, a cool splash against the warm, romantic tones of her outfit and makeup.
Her pose is poised and relaxed, her hands gently intertwined, suggesting a quiet confidence. The mood is one of sophisticated tranquility. Her hair is styled in a classic, 1940s-inspired Hollywood wave , falling in loose, glossy curls. The makeup is natural but flawless, with a focus on rosy cheeks and a soft, pink lip, perfectly complementing the color palette of her clothing. The overall styling cohesively weaves together elements of old-world glamour with a relaxed, modern sensibility. It’s a look that reminds us why her personal celebrity style remains so influential, blurring the lines between cinematic past and present-day cool.
One punchy sentence teasing the mood, look, and the classic Venice arrival vibe. I will incorporate a natural-sounding digression.
Trading high glamour for high-end ease, Barbara Palvin makes her Venice Film Festival arrival in an ensemble that proves the most powerful looks are often the most minimal. Her approach to travel style is not just comfortable—it’s a masterclass in effortless sophistication.
