Cindy Kimberly’s latest campaign with Oh Polly is a visual aria—opulent gardens, mythic staircases, and couture that dances between sculpture and seduction.
In a campaign that feels more like a cinematic opera than a fashion shoot, Cindy Kimberly stars in Oh Polly’s 2025 ‘Vita Velata’ collection—an ode to veiled life, layered beauty, and unapologetic drama. Shot across palatial gardens, stone fountains, and frescoed halls, the visuals are nothing short of baroque maximalism reimagined for the Instagram age.
Each look in the campaign is a study in contrast and texture. Kimberly reclines on a red vintage convertible in a black sequined dress—its shimmer catching the light like wet lacquer—paired with classic black heels and oversized sunglasses. The silhouette is sleek, but the setting adds cinematic tension: gravel paths, manicured topiaries, and the suggestion of old money mischief.
In another frame, she stands atop a carved wooden table in a black ensemble, framed by a ceiling mural of ships and gods. The outfit is minimalist, but the pose—one leg bent, head tilted—injects theatricality. Then there’s the staircase moment: Kimberly draped in a flowing patterned dress with cut-outs, her body curved like a sculpture against the stone steps. The fabric moves like smoke, the heels anchor her like punctuation.
And finally, the fountain shot—barefoot, strapless, and serene. A patterned dress clings to her form as she lounges on cherubic stone figures, water arching overhead like a halo. It’s fashion as tableau vivant.
Accessories are kept minimal, allowing the garments and architecture to speak. Black heels, sunglasses, and the occasional umbrella (in a green dress with fur cuffs) serve as visual anchors. The synergy between outfit and setting is deliberate—each look feels curated for its backdrop, not just styled for the model.
‘Vita Velata’ taps into fashion’s current obsession with historical fantasy—where corsetry, drapery, and classical motifs collide with modern silhouettes. Kimberly’s campaign evokes the spirit of Renaissance portraiture, but with the edge of contemporary celebrity fashion . It’s not just about clothes—it’s about mood, myth, and mise-en-scène.
Kirsten Dunst slips into surreal softness for AnOther’s Autumn/Winter issue—her pastel palette and poetic poses blur the line between fashion and memory.
In a season where fashion is leaning hard into maximalist nostalgia, Kirsten Dunst offers something quieter—more spectral, more cinematic. For AnOther Magazine’s Autumn/Winter 2025 issue, Dunst becomes the centerpiece of a visual narrative that feels like a dream half-remembered. Shot in a series of ethereal vignettes, the editorial is a masterclass in mood, texture, and storytelling.
Dunst wears a light pink satin top paired with a white skirt—soft, luminous, and slightly undone. The fabric catches light like a whisper, its sheen echoing the editorial’s surreal tone. In another frame, she reclines in a blush satin dress and thigh-high stockings, the silhouette languid and intimate. The garments aren’t just styled—they’re staged, becoming part of the mise-en-scène.
A standout look features a textured oversized jacket layered over a pale yellow dress or skirt, paired with white tights and green heels. The color story is muted but intentional, evoking faded wallpaper and forgotten gardens. Each outfit feels like it was pulled from a trunk of heirlooms—worn, loved, and reimagined.
Cindy Kimberly gave cozy a couture twist—her cropped faux fur jacket and midriff moment at the ALO Bag release party blurred the line between après-ski and celebrity style nightlife.
At the ALO Bag collection release party in collaboration with Vogue, held in New York on September 9, 2025, Cindy Kimberly arrived with a look that felt like a fashion remix of alpine luxe and urban cool. In a room blooming with florals and buzzing with fashion insiders, Kimberly’s outfit stood out—not for its volume, but for its precision.
Kimberly wore a cropped beige faux fur jacket with black toggle closures—a tactile piece that balanced warmth with edge. The jacket’s hemline hit just above the waist, revealing a sliver of midriff that added a playful contrast to the plush texture. The toggles, reminiscent of vintage duffle coats, gave the piece a nostalgic twist while anchoring it in streetwear logic.
She paired the jacket with sleek black pants—likely tailored or high-waisted—which grounded the look and kept the silhouette clean. The color palette was minimal, but the textures did all the talking: soft faux fur against structured fabric, matte against gloss.
