Cindy Kimberly brought feline finesse to the Oh Polly show—her leopard-print cut-out dress was pure runway heat, with a wink of vintage bombshell energy.

In a room pulsing with flashbulbs and fashion insiders, Cindy Kimberly didn’t just walk the runway—she prowled it. At the Oh Polly Spring/Summer 2026 show in New York City on September 10, 2025, Kimberly delivered a look that felt like a throwback to ‘90s supermodel drama, reimagined for the TikTok generation.

Kimberly’s dress was a bold leopard-print number with a plunging neckline and daring cut-out sides. The fabric hugged her frame with precision, offering just enough stretch to move with her stride while maintaining its sculptural integrity. The print—classic, unapologetic, and high-impact—was a nod to fashion’s eternal obsession with animal motifs, but the silhouette was all 2025: sleek, strategic, and body-conscious.

The cut-outs weren’t just decorative—they were architectural. They carved out the waist and ribcage, creating negative space that emphasized the hourglass silhouette. The hemline hit mid-thigh, balancing the drama of the neckline with a clean finish.

Leopard print has long been a symbol of power, sensuality, and rebellion. In the hands of Oh Polly, it becomes a tool of modern femininity—bold, unapologetic, and Instagram-ready. Kimberly’s look taps into the current wave of maximalist celebrity fashion , where prints, skin, and attitude collide in high-definition.

Cindy Kimberly gave cozy a couture twist—her cropped faux fur jacket and midriff moment at the ALO Bag release party blurred the line between après-ski and celebrity style nightlife.

At the ALO Bag collection release party in collaboration with Vogue, held in New York on September 9, 2025, Cindy Kimberly arrived with a look that felt like a fashion remix of alpine luxe and urban cool. In a room blooming with florals and buzzing with fashion insiders, Kimberly’s outfit stood out—not for its volume, but for its precision.

Kimberly wore a cropped beige faux fur jacket with black toggle closures—a tactile piece that balanced warmth with edge. The jacket’s hemline hit just above the waist, revealing a sliver of midriff that added a playful contrast to the plush texture. The toggles, reminiscent of vintage duffle coats, gave the piece a nostalgic twist while anchoring it in streetwear logic.

She paired the jacket with sleek black pants—likely tailored or high-waisted—which grounded the look and kept the silhouette clean. The color palette was minimal, but the textures did all the talking: soft faux fur against structured fabric, matte against gloss.

Hannah Dodd channels London elegance with a twist—her wide-brim hat and bow-tied blouse on The Glossary’s cover feel like a love letter to celebrity style with a literary soul.

There’s something quietly magnetic about a magazine cover that doesn’t scream for attention—but instead, draws you in like a whispered secret. For The Glossary’s September 2025 “Style Issue,” Hannah Dodd does exactly that. Framed in soft light, her gaze steady, her styling deliberate, she becomes the embodiment of modern British poise.

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Dodd wears a crisp white blouse with a black bow at the neckline—classic, yes, but never dull. The fabric appears structured yet soft, with subtle sheen that catches the light without overpowering the composition. The bow adds a touch of vintage charm, evoking schoolgirl innocence reimagined for the front row. It’s a silhouette that’s both editorial and wearable, timeless and timely.

Topping the look is a black wide-brimmed hat—dramatic in scale, but restrained in detail. It casts a shadow across her face, adding depth and mystery, while anchoring the outfit in a visual rhythm of black and white. The styling is minimal, but every element is intentional.

Jewelry is kept to a whisper—if present at all—allowing the bow and hat to take center stage. The synergy between the monochrome palette and the clean lines creates a look that’s cohesive without being predictable. It’s the kind of styling that doesn’t need embellishment to feel complete.