Clara Galle’s layered shimmer and embroidered romance—equal parts fairy tale and futurism—turned the Venice red carpet into a cinematic mood board of haute nostalgia.
There’s something quietly radical about Clara Galle’s entrance at the 82nd Venice International Film Festival. While others chased shock value or sculptural extremes, Galle opted for a gown that whispered—then roared.
The look unfolded like a storybook with a glitch in the matrix. Her strapless, floor-length gown featured a fitted bodice embroidered with delicate vine motifs, rendered in pastel threads and subtle metallics. The embroidery didn’t just decorate—it anchored the silhouette, drawing the eye upward before releasing into a voluminous skirt composed of horizontal layers. Each tier shimmered with a silvery iridescence, catching the light like ripples on Venetian water.
Though the designer remains unconfirmed at press time, the craftsmanship suggests a couture house fluent in romantic maximalism—think Elie Saab’s textural storytelling or Giambattista Valli’s layered theatrics.
Accessories were minimal, almost reverent. No statement necklace, no clutch vying for attention. Instead, Galle let the gown speak, pairing it with understated jewelry—likely diamond studs and a whisper-thin bracelet. Her shoes, barely visible beneath the cascading skirt, appeared to be classic satin pumps, chosen for function more than flash.
In a sea of speed and spectacle, Kerry Condon brought quiet edge to the F1 premiere—her textured black gown a study in restraint and rebellion.
At the New York City premiere of F1: The Movie , Kerry Condon didn’t chase the flash of the cameras—she absorbed it. On a gray carpet flanked by high-octane branding and motorsport bravado, Condon’s look offered a counterpoint: sleek, shadowy, and unmistakably intentional.
Her sleeveless black gown, long and lean, featured a semi-sheer textured overlay that played with light and depth. The fabric—somewhere between lace and mesh—created a subtle grid of shimmer and opacity, hinting at movement without ever losing its composure. It was the kind of dress that doesn’t scream for attention but earns it through detail.
No embellishments, no theatrics. Just a watch on her left wrist—possibly Cartier or Omega, though unconfirmed—and a stance that said she knew exactly what she was doing. Her hands, clasped gently in front, added to the composed energy of the look.
Hair was worn long and wavy, cascading over her shoulders in soft, undone ripples. Makeup followed suit: a natural base, muted lips, and a touch of definition around the eyes. The overall effect? A kind of cinematic minimalism—think Carol meets Drive .
In a cultural moment where celebrity style often leans maximalist, Condon’s appearance felt like a palate cleanser. No logos, no loud colors—just a woman, a dress, and a premiere that didn’t need more noise.
Olivia Cooke commands the Who What Wear UK cover with a series of looks that are both high-fashion and playfully surreal (a style we’re officially calling “fantasy-luxe”).
Olivia Cooke has always been a compelling figure, known for her ability to bring complex characters to life on screen. Her latest photoshoot for Who What Wear UK shows that same talent for transformation through fashion. The images, styled by Natasha Wray, are a delightful, whimsical journey that reimagines her public image with an unexpected dose of avant-garde glamour. It’s a fresh take on celebrity fashion that feels both elevated and accessible.
The first outfit is a striking two-piece set featuring a floral pattern in shades of soft pink and deep magenta. The jacket has an exaggerated, almost architectural silhouette, with a sharp lapel and a fitted waist. It’s paired with a voluminous, asymmetrical skirt that drapes to the ankle and is trimmed with a lighter, solid fabric at the hem. In the second image, she wears a black beret, a classic accessory that adds a touch of Parisian chic. She’s also carrying a black structured handbag that provides a modern, clean line against the flowing floral patterns. The final look is an incredible textural contrast—a long, luxurious brown faux fur coat cinched with a wide black belt. Underneath, a sheer, almost chartreuse-colored leotard is worn with matching tights and delicate pointed shoes. The ensemble is a fearless blend of textures, from the dense fur to the sleek synthetic of the leotard.
The styling is brilliantly playful. Her hair is loosely pulled up into a messy bun, with strands framing her face, creating a soft, undone aesthetic that contrasts with the high-fashion clothes. Her makeup is kept minimal and fresh, with a focus on her natural complexion. The overall mood is one of lighthearted sophistication—she is captured in motion, smiling and laughing, which gives a sense of spontaneity to the highly curated looks. It’s a bold departure from the typical, serious celebrity photoshoots and highlights her bubbly personality. The looks feel both aspirational and deeply human, making it a compelling study of celebrity fashion .
