Coco Jones wore a structured corset gown in sheer nude tulle to the 68th Annual GRAMMY Awards in Los Angeles on February 1, 2026.
She didn’t play it safe — and thank God for that. Coco Jones showed up to the 68th Annual GRAMMY Awards on February 1, 2026 , in a dress that immediately asked: “Are we doing pure glamour or architectural fantasy?” Her answer? Yes.
The gown was a blush-toned corset mini fully wrapped in soft nude tulle , forming a trail of asymmetrical drapes falling to the floor. The construction had it both ways — sculpted bodice, exaggerated hips, one-shoulder ruffle drama, and a sheer overlay that gave the whole thing a floating effect. Not delicate. Direct.
It was bold, but not overwhelming. The inner corset structure balanced the volume, and the shorter base hem kept the silhouette visible through all the fabric. She finished it with matching strappy sandals and a healthy dose of confidence.
No necklace. Smart move. Hair stayed glossy, parted down the center — a clean backdrop to soften the look’s edge. Rings gave the fingers some activity, but everything about this fit knew what the star was: the gown, full stop.
Let’s be honest. A look like this can go cartoon real fast. But Coco knows how to own awkward volumes and sharp lines at the same time. This was effort — but smart effort. And it landed.
Nikki Bella wore a lace-up crop top and relaxed baggy jeans to 50 Cent’s HWood Super Bowl party at 1 Hotel SF on February 6, 2026.
She wore a white sleeveless crop top , tight and slightly sheer, with a center lace-up detail that added a hit of flirt without doing too much. The hem hit just below the bustline, effortlessly paired with a pair of low-slung, ultra baggy jeans that take strong cues from retro TRL -era denim — mid-wash, side paneling, slightly distressed at the cuff from actual use, not styling.
Shoes? Mostly hidden under all that denim, but it looked like a neutral sneaker situation — not the moment, just functional. Hair was left long and parted down the center, sleek and straight, doing most of the visual work. Minimal jewelry, save for a thick cuff and some rings.
Here’s the thing: it’s not reinventing anything. It’s not trying to. But it works for this kind of event appearance — something between club invitation and casual chaos. Comfort-forward with a whisper of Y2K confidence.
Coco Jones wore a dramatic burgundy fur crop top and patent mini skirt to Universal Music’s GRAMMYs after party in Los Angeles, February 1, 2026.
This is what after-party dressing looks like when you’re not interested in blending in. Coco Jones hit the Universal Music Group GRAMMYs after party on February 1, 2026 , wearing something that didn’t want to whisper. And absolutely didn’t.
She showed up in a burgundy red fur-textured off-the-shoulder crop top — voluminous, shaggy, unapologetic. It sat high, leaving space to show toned abs and a slick underlayer that felt almost like leather bra detailing, adding edge where volume leaned glam. The bottom half? Dark vinyl micro mini skirt , ultra-high hemline, reflective, cut sharp.
But the accessories? That’s where the chaos balanced itself out. She wore black opera gloves in sleek leather , complete with buckled wrist details. They added structure where everything else wanted to party. Shoes stayed clean — black ankle-strap heels , simple and necessary.
Hair loose and tousled, perfectly undone. Makeup leaned sculpted — defined eyes, brown-nude tones, nothing heavy on the lip. Jewelry? Understated. Let the textures fight their own battle.
Honestly? There’s no middle ground with a look like this — and she didn’t bother reaching for one. This was styled for impact, not polish. And sometimes that’s exactly what an iconic red carpet fashion moment needs: calculated imbalance.
