Coco Quinn wore a black lace strapless dress with sheer panels and sandal heels to a Grammy after party in West Hollywood on February 1, 2026.
For the “Toast to Music” Grammy after party on February 1st, 2026, Coco Quinn showed up in a blacked-out lace ensemble that looked like it had been pulled straight from a late-’90s club flyer—and we mean that in the best way. No gloves, no cape, no layers fighting for attention. Just sheer floral lace in a slipdress cut, unapologetically body-conscious and borderline bratty.
The dress sits high across the bust, strapless, with a visible corset shape underneath. It lays closer to boudoir than ballroom. The lace itself is full-coverage in theory and completely not in practice—teasing sheerness down the midsection and thighs. Hemline hits mid-shin with a crisply uneven finish. Minimal tailoring. No fussy lining.
Her strappy black stilettos added height but didn’t compete, letting the dress stay the dominant player here. Hair? Down, blonde-highlighted, and ironed flat with enough round at the finish to keep it from going too slick. Glossy lips. Neutral cheeks. Lashes in place. Nothing overdrawn, because the outfit already said enough.
This isn’t a prom-worthy look. It’s club-glam distilled. She showed up in something that wasn’t trying to ask permission—and didn’t wait for anyone to look twice.
Peja Anne wore a strapless nude gown with silver crystal detailing at the Grammy 2026 after party in West Hollywood on February 1.
At the “A Toast To Music” Grammy Awards after party in West Hollywood on February 1st, 2026, Peja Anne stepped onto the red carpet looking like she’d walked straight out of a champagne flute. Head-to-toe sparkle, but never loud. Just that kind of muted shimmer that hits better under camera flash than daylight.
Her dress? Strapless, nude illusion , with a sweeping sheer base covered in arcing silver crystal embroidery . All swirls, curves, and star trails that pulled everything upward toward a sharply detailed bustline. The fit was skin-close. No flare. No weight. Just a vertical movement down to the floor that looked like it might disappear if you blinked too quickly.
Hair styled in soft, brushed-out waves. Makeup leaned warm—glossy berry lips, rosy cheeks, a subtle glow across the cheekbone. No chunky earrings, no clutch, nothing dangling—intentional restraint that let the gown hold center court. She understood the assignment: red carpet , but with precision .
And it worked. The whole thing felt weightless but targeted. Like she hadn’t overthought it. Just a girl in crystals, ready to dance if someone handed her a mic—not a martini.
Charli XCX wore a sheer black lace dress with boots, rings, and a Saint Laurent clutch to the W Magazine Grammy after party on February 1, 2026.
At Bar Marmont on February 1st, 2026, for the Saint Laurent x W Magazine Grammy after party, Charli XCX served a look that knew exactly what it was doing. Drama without noise. Darkness without effort.
Her outfit? An all-black lace dress , sheer from shoulder to hem, hugged in just the right places. Long sleeves. Sweetheart shaping across the bust. Scalloped edging all down the center, split open with a thigh-high slit that did nothing to hide intention. It showed everything and nothing at the same time.
On her feet: Saint Laurent Nico platform boots — tall, chunky, unapologetically solid. The grounded base to an otherwise delicate mess of lace filigree. In-hand, she carried the Saint Laurent Kate clutch , patent leather shining under warm bar lighting. On her fingers, a stack of flash: Chrome Hearts Vintage 1992 Diamond & Sterling Ring paired with a Chrome Hearts Oval Cross Ring , adding weight and a little menace. A final flicker—on her left ring finger, the Claude Morady Solitaire . Not flashy. Just there.
Her hair: parted clean, the kind of thick, brushed-out waves that look undone but careful. Brows and liner clean, lips softly glossed. Everything about her look said the same thing: Don’t mistake quiet for soft.
