Cristin Milioti ditched the predictable gown for an edgy, city-ready ensemble that fused high fashion with an effortless, rock-and-roll sensibility after her Emmy win.
After a triumphant night at the 77th Primetime Emmy Awards, Cristin Milioti arrived at the HBO Max afterparty at San Vicente Bungalows in West Hollywood, brandishing her new trophy and a look that was pure street-style genius. The actress embodied an unapologetic urban aesthetic, trading traditional red carpet glamour for a powerful, textural ensemble. At the heart of the look was a black leather bomber jacket , oversized and worn with a nonchalant slouch, its generous collar providing a sharp contrast to the more delicate elements beneath. Layered underneath was a shimmering black mini-dress with a gathered, ruched waistband that provided a feminine counterpoint to the jacket’s tough exterior. The skirt was a clever juxtaposition, short and playful in the front, but cascading into a dramatic, asymmetrical train at the back that trailed elegantly behind her.
This is a masterclass in controlled chaos. Milioti leaned into the high-low mix with a pair of sheer black stockings speckled with tiny, perfectly placed polka dots . They added a retro, mischievous touch to the otherwise sleek look. Her shoes were classic black pointed-toe pumps , simple yet elegant, and a black clutch completed the streamlined, all-black palette. While she held her new Emmy trophy high, her hair was styled in a chic, tight low bun, a style that perfectly balanced the deliberate “undone” feel of the rest of the outfit. It was an audacious, confident choice—one that declared her not just a winner on the stage, but a true style maverick.
The Hacks star stepped onto the red carpet—holding her Emmy triumphantly—in a sleek black minidress that embodied a new era of effortless, dark feminine glamour.
The immediate visual is one of confident, streamlined simplicity . Stepping into the HBO Max Post-Emmy Reception , Hannah Einbinder didn’t rely on theatrical volume or complicated silhouettes; instead, she commanded the room with the quiet power of a meticulously executed Little Black Dress ( LBD ) and an undeniable winning aura. The choice itself, a short, structural number, felt like a deliberate nod to the enduring chic of 1990s minimalism.
The dress itself is a study in precise tailoring. Cut in what appears to be a black crepe or heavy matte fabric , its square neckline and substantial, almost architectural shoulder straps give it an un fussy, modern edge. It’s an LBD that feels more Helmut Lang than ingénue—a powerful counterpoint to the traditional princess gowns often seen at these events. The hemline hits high on the thigh, creating an elongated silhouette that’s both playful and polished. It’s a masterful demonstration of how a simple cut can convey maximal impact.
Against the rich, textured backdrop, Einbinder’s styling choices amplify the subtle drama. She paired the black mini with sheer black tights —a trend gaining velocity and one that adds a layer of depth and visual texture to the look—and simple black peep-toe heels that tie the monochromatic scheme together. Her choice to accessorize minimally, centering the look on the dress and the ultimate accessory—her golden Emmy statue—speaks volumes. The jewelry is restrained: subtle gold hoop earrings and a simple bracelet, ensuring that nothing distracts from the garment’s clean lines or the triumphant hardware she holds.
Never one to shy from spectacle, Rita Ora fused ethereal elegance with high-fashion daring in a breathtaking Miu Miu gown that commanded the 77th Primetime Emmy Awards.
At the 77th Primetime Emmy Awards, all eyes were on Rita Ora as she debuted a Miu Miu gown that was a masterclass in understated elegance. The dress, a brilliant composition of butter-yellow and white fabrics, featured a structured, plunging V-neck bodice with an ivory trim that created a striking contrast. The silhouette flowed into a high-slit skirt, showcasing her leg and jewel-encrusted gold strappy sandals . The fabric appeared to be a blend of a delicate, sheer material over a more opaque base, giving it a soft, almost gossamer-like quality that moved with her. A delicate white ribbon belt tied in a bow at the waist provided a sweet, romantic detail, while a second band of material wrapped around her midsection, adding a touch of tailored precision. It’s a look that effortlessly balanced the modern with the classic, all while exuding a quiet confidence.
For accessories, Ora kept it minimal but impactful. Besides the stunning gold sandals , she carried a small, color-coordinated clutch, keeping the focus squarely on the gown. Her husband, Taika Waititi, complemented her look perfectly in a sharp ivory tuxedo and black bow tie, creating a cohesive and stylish pair on the red carpet. Ora’s effortless beauty was further enhanced by her choice of hair and makeup. Her blonde hair was styled in a messy bun with casual front bangs, giving the look a playful, approachable feel. Her makeup was a perfectly nude and natural glow , highlighting her features without overpowering the look. Is this the new face of red carpet rebellion—a subtle defiance of the over-the-top drama we’ve come to expect? It’s a look that makes you lean in closer, proving that sometimes, less truly is more.
