Cristin Milioti wore a black leather jacket and dark shirt during a Deadline Studio photoshoot at the Sundance Film Festival in January 2026.
In the muted light of a studio backdrop, Cristin Milioti sits in a quiet kind of focus. She’s wearing a black leather jacket , softened with wear, paired with a matching black top —nothing flashy, just lived texture and ease. Her dark, wavy hair falls loosely, a small rebellion against the jacket’s structure.
Sabrina Carpenter wore classic blonde curls, winged eyeliner, and soft peach glam for her 2026 Redken beauty campaign, channeling vintage Hollywood energy.
In this close, warmly lit portrait, Sabrina Carpenter becomes a time capsule of old‑school cool. Her platinum blonde hair , styled in big retro curls , frames her face like mid‑century movie lighting. The soft fringe , slightly uneven and intentionally carefree, gives the image that tactile realism modern glam sometimes forgets. Shimmery lids, sharp winged liner , and nude peach lips build the beauty look —familiar codes of silver‑screen femininity but filtered through today’s precision. Against the faded beige tones of her setting and the casual robe draped around her shoulders, the styling feels almost cinematic but also domestic, as if glamour was caught mid‑morning.
Disha Patani opens up in Hello India’s winter issue, blending quiet charm with action-star grit.
On the cover of Hello India’s December 2025/January 2026 issue, Disha Patani turns sideways in a dark, backless dress, floral detail curling around her shoulder. The background is a flat blue, clean and quiet. Her gaze is soft, but not passive. It’s the kind of look that doesn’t ask for attention—it already has it.
Inside, the tone shifts. She’s stretched out on a plush surface, wearing a pale green outfit stitched with white floral embroidery. It’s delicate, almost bridal, but the interview cuts through that softness. She’s described as glamorous and tomboyish, quiet but quick to laugh, demure on carpets and lethal in stunts. The contrast isn’t a contradiction—it’s the point.
She talks about her love for anime, drifting, and video games. Jackie Chan is her hero. Martial arts and kickboxing are part of her routine, not just for roles but for life. Her filmography spans from M.S. Dhoni: The Untold Story to Kalki 2898 AD , but she’s not chasing credits. She’s chasing balance.
There’s a line about coming home to her pets: “I feel more human.” That’s the anchor. She shops in South Bombay in disguise, walks Bandstand with a mask and cap. Sundays are for disconnecting. Her fitness is strict—cardio, weights, MMA—but her idea of success is softer. Small wins. Self-validation. Quiet growth.
The editorial doesn’t push glamour. It lets her be layered. The child she keeps alive, the fighter she’s become, the woman who hides in plain sight. It’s not a transformation—it’s a coexistence.
