Dafne Fernandez wore a textured white dress with a voluminous skirt and black heels at the InStyle Awards.
On November 11, 2025, Dafne Fernández attended the 2nd InStyle En Series Awards in Madrid wearing a sleeveless white textured dress with a fitted bodice and voluminous skirt that fell below the knees. She paired the look with black pointed-toe heels, standing against a backdrop of fashion sponsors including Simorra, Bellissima Italia, and L’Oréal Paris.
The dress balances sculptural volume with tactile nuance—its textured surface adds depth to a silhouette that could otherwise read as bridal or debutante. The sleeveless cut and fitted bodice ground the look in contemporary minimalism, while the skirt’s fullness introduces a theatrical flourish. The choice of black pointed-toe shoes creates a stark contrast, anchoring the ensemble and preventing it from drifting into overt romanticism. No visible jewelry or accessories suggests a deliberate restraint, allowing the garment’s structure and texture to dominate the visual narrative.
Claudia Salas wore a long black dress with thin straps and a high bun at the InStyle Awards in Madrid.
On November 11, 2025, Claudia Salas attended the 2nd InStyle En Series Awards in Madrid wearing a long, elegant black dress with thin shoulder straps. Her hair was styled in a high bun, adding verticality and polish to the overall silhouette. The look was captured against a backdrop of fashion sponsors including Simorra, Bellissima Italia, and L’Oréal Paris.
Eva Ugarte wore a sleek black gown with a thigh-high slit and strappy heels at the InStyle Awards in Madrid.
On November 11, 2025, Eva Ugarte arrived at the 2nd InStyle En Series Awards in Madrid wearing a sleek off-the-shoulder black gown with a thigh-high slit and strappy black heels. The look was captured on the red carpet against a backdrop of fashion sponsors, including L’Oréal Paris, Simorra, and Bellissima Italia.
The gown’s off-the-shoulder neckline and thigh-high slit deliver a classic red carpet silhouette, but its execution leans toward architectural restraint rather than overt sensuality. The fabric appears matte, with minimal sheen, allowing the cut to speak louder than embellishment. The strappy heels echo the gown’s linear logic, elongating the leg without distracting from the overall composition. Hair and makeup are kept neutral, reinforcing the gown’s dominance as the central statement. The absence of jewelry suggests intentional minimalism—letting the structure and exposure do the work.
