The celebrity look Dafne Keen debuted at the Harris Reed show was a masterclass in gothic-tinged glamour, championing an androgynous, sheer designer outfit that felt utterly in sync with the current fashion zeitgeist.
The actress Dafne Keen commanded attention at the Harris Reed show during London Fashion Week, trading conventional celebrity dresses for a bold, midnight-black ensemble that channeled the spirit of rock-and-roll aristocracy. Eschewing the typical saccharine approach, Keen presented a look rooted in powerful, textured tailoring and a deliberate peek of provocative skin, defining a singular fashion moment .
The foundation of the look was a luxurious, deep black velvet suit . The fabric, catching the dim event light with a soft crush, lent a decadent depth to the structured blazer and fluid wide-leg trousers. Worn open, the jacket offered an architectural frame for the true focal point: an astonishingly sheer black blouse. The high, draped neckline fell away to a dramatic, plunging V, secured only by the tie of a long, scarf-like chiffon detail that cascaded down the front. This was not merely transparency; it was a studied, sophisticated display that added a necessary edge to the otherwise formal silhouette.
The styling was precise and unapologetic. Keen anchored the drama with a high-definition beauty look—slicked-back hair, strong brows, and a flawless, matte red lip that immediately drew the eye and offered the only true pop of color against the monochromatic canvas. Her minimal yet bold jewelry, featuring oversized, luminous hoop-like earrings, suggested a Studio 54-meets-Victorian decadence, subtly elevating the entire celebrity look . The pose, with hands crossed delicately across the torso, reinforced the overall mood: confident, contained, and intensely glamorous.
This bold designer outfit resonated perfectly with the maximalist, theatrical energy Harris Reed often embodies, bridging the gap between historical romance and modern, liberated dressing. It’s a striking reminder that the most impactful red carpet fashion doesn’t require a gown, but merely a vision and the unwavering confidence to wear it—a lesson in tailoring as tantalizing as any bare shoulder.
We’ll be seeing this kind of unapologetic suiting on the most popular celebrities well into the next season.
Miranda Cosgrove’s effortlessly polished celebrity beauty look and black-and-white knit suit champions the playful, structured elegance of the modern street style moment.
Miranda Cosgrove unveiled a pitch-perfect lesson in transitional dressing outside NBC Studios, stepping out in a look that was equal parts collegiate charm and mid-century chic. Ditching the flash for finesse, her black and cream two-piece knit ensemble—a distinct departure from typical studio-entry attire—felt instantly fresh and entirely appropriate for a crisp New York City afternoon.
The outfit, featuring a cropped, black knit jacket with contrasting cream trim and pocket flaps, was beautifully paired with a flippy, vertically-striped pleated mini-skirt. This structural silhouette immediately evokes the polished, youthquake aesthetic of 1960s London, modernized by the choice of a substantial, contemporary knit. It’s a subtle but commanding outfit that speaks to tailoring and texture, defining a versatile celebrity style moment.
To ground the look, Cosgrove opted for classic black pointed-toe pumps and a structured black leather satchel with substantial hardware. The accessories were practical yet elegant, preventing the mini-skirt from veering too far into costume territory.
Crucially, the entire vibe was anchored by a radiant, approachable celebrity beauty look . Her hair style —long, dark, and perfectly blown out with a subtle wave—complemented the clean lines of the outfit. The makeup , however, was the key: a stunning display of sun-kissed radiant skin , soft rosy blush, and a barely-there pink lip that allowed her natural, bright smile to become the focal point. This natural glow makes the case that less is always more when navigating the relentless flash of the paparazzi. It’s an easygoing approach to glam that offers superb makeup inspiration for anyone seeking that fresh, polished daytime finish.
It’s clear this is the uniform of a woman who knows exactly what works for her—polished, playful, and prepared for anything. Does it get any more chic than a modern take on the iconic mod moment? Check out more elevated moments from other popular celebrities .
Emily Ratajkowski unveils a minimalist yet undeniably impactful look at the H&M&180 show during London Fashion Week, championing a precise tailoring trend that redefined power dressing (—this double-breasted glam proves the enduring appeal of black-on-black dressing).
Emily Ratajkowski’s attendance at the H&M&180: The London Issue show was a sharp, non-verbal declaration that the most impactful fashion often lies in perfect execution of simplicity. Eschewing flashy photos and complex layering, she commanded the room in a minimalist look that distilled 1980s power dressing into a sleek, contemporary statement.
The foundation of the outfit is a superbly cut black double-breasted suit . The oversized blazer features strong, architectural shoulders and a long-line silhouette , creating a striking, powerful V-shape. Crucially, the styling is executed with a subtle nod to the provocative: the deep V-neck created by the double-breasted closure is worn without an inner layer, making the blazer itself the statement piece. The coordinating trousers are cut wide-leg with a sharp crease, elongating the figure and maintaining a fluid, unbroken line of color and texture . The dark, matte fabric emphasizes the tailored structure.
Accessories are strategically sparse. The simplicity of the look is maintained by keeping jewelry minimal—it’s the bold, clean lines of the tailoring that act as the true adornment. Her shoes are black and hidden beneath the sweeping hem of the trousers, preserving the monolithic silhouette . The entire attitude is one of understated, confident authority.
Is this the final word on how to wear a blazer as a standalone piece—or just Emily proving that some staples are simply non-negotiable?
