Daisy Edgar-Jones wore a white feather-trimmed mini dress to Estee Lauder’s Double Wear celebration at Chateau Marmont on January 29, 2026.
At the Château Marmont on January 29, Daisy Edgar-Jones showed up wrapped in softness—but not fragility. Her look for Estée Lauder’s Double Wear celebration leaned refined, with a wink of eccentricity. She wore a white mini dress , fitted and strapless, smooth as icing. The upper bodice was blanketed in tufts of long feathered fringe , arranged asymmetrically across the chest in a way that looked less “roaring twenties” and more “vintage winter bird at a gallery opening.”
The dress itself was minimalist—no seams, no zippers visible, no cutouts or peekaboos. Just sleek structure and whimsy wrapped into one clean silhouette. She kept her styling smart: muted nails, a subtle ring stack, and no necklace competing with the feather texture up top.
Hair was worn down in soft waves, parted naturally, face-framing with ease. Her makeup was light and balanced—nothing too sculpted. Just a bit of blush, soft liner, and a lip that matched the relaxed mood of the look. The profile was part fashion photoshoot , part “we didn’t try that hard,” and the balance actually worked.
This kind of quiet armor’s not shouting for best dressed—it just calmly owns its place at the table.
Sabrina Carpenter wore a champagne-toned silk slip dress with matching gold Saint Laurent pumps while leaving a pre-Grammys party in Los Angeles.
Captured just as she slid into a dark car outside a pre-Grammys party in Los Angeles, Sabrina Carpenter offered only a glimpse—but the moment was enough to say everything. She wore a champagne-hued silk mini dress , cut low in the back and gathered softly at the waist. The fabric caught the streetlights like it had highlighter in the weave. Short, light, intentionally undone.
From behind, the dress read somewhere between vintage negligee and expensive ease. No jewelry visible—just soft curls grazing her bare shoulders, styled loose, brushed out, Marilyn-coded. She stepped into the car wearing a pair of gold Saint Laurent Tribute pumps —sky-high, sleek, and near-perfectly color matched to the dress. Satin on satin. A gold-on-gold decision that looked more accidental than calculated—and that’s what made it work.
The sidewalk flash emphasized the rawness of it all. No red carpet. No posing. No PR wall behind her. Just a slinky dress, a flash, and one leg slipping into a waiting car.
This wasn’t a planned reveal. It was a fashion leak—and that’s the kind of styling that always speaks loudest.
Emma Brooks wore a strapless corset top and black leather mini skirt to A24’s The Moment premiere in Beverly Hills on January 29, 2026.
At the Beverly Hills premiere of A24’s The Moment , Emma Brooks stepped out in a clean, stripped-back look that skimmed the edge of sharp and soft. A strapless corset top , softly boned and paneled, sat structured on her torso—ivory with subtle vertical striping. Not satin. More matte, more serious. The bustline was completely straight across—no drama—while the fit did its own heavy lifting.
Below, she kept things tight and short with a black leather mini skirt , hugging the hips with no visible seams or embellishment. Just shape. The combo aligned like fashion punctuation: one piece giving rigidity, the other giving weight. She finished the look with high black boots , smooth and rounded with a pointed toe, gloss in the light but dark in tone. Mid-heel. Confident.
Hair was parted in the middle, pulled back into a loose braid on one side, keeping the look grounded. Makeup leaned neutral—strong brows, sculpted cheek, glossy lip. Arms bare, tattoos visible. No loud accessories. No bag.
It was the kind of event appearance where every piece knew when to stop. No ruffle, no fuss, no filler—just fabric, form, and one long exhale.
