Dakota Fanning wore a Vivienne Westwood custom dress and Fred Leighton jewelry at the 83rd annual Golden Globe Awards in Beverly Hills, 2026.
Dakota Fanning at the 83rd annual Golden Globe Awards, Beverly Hills, January 11, 2026. She stands on the red carpet, not a hair out of place, the cameras catching every shimmer. The dress is Vivienne Westwood Custom –champagne, covered in tiny crystals, draped off one shoulder, with a soft cowl neckline and a train that pools behind her. The fabric glows, not in a bombastic way, but with a kind of quiet confidence. The fit is close, but not tight, the draping soft, almost liquid.
Her hair is straight, parted in the middle, tucked behind her ears. Around her neck, a delicate Fred Leighton Jewelry necklace–nothing oversized, just a line of stones. No earrings visible, but a ring glints on her finger. The Tyler Ellis Veronica Clutch in Ivory Satin is not visible in this shot, but it’s part of the look. Makeup is soft, a little blush, lips a natural pink, eyes defined but not heavy.
This is a look that leans into classic glamour, but with a modern, almost minimal twist. The Vivienne Westwood gown is all about the drape and the light, not about shouting for attention. For those who follow red carpet fashion , it’s a reminder that sometimes the most effective style is the one that lets the fabric and the fit do the talking.
She could be anywhere–a gala, a dinner, or just lost in the crowd. Tonight, she’s here, and the dress is all ease, all shimmer, no fuss.
Ariana Grande wore a Vivienne Westwood custom gown and Swarovski jewelry for her Golden Globe Awards photoshoot in Beverly Hills, January 2026.
Ariana Grande–studio lights, beige backdrop, the 83rd annual Golden Globe Awards, Beverly Hills, January 11, 2026. She stands still, eyes closed, hands folded, as if she’s caught in a quiet moment before the noise. The dress is Vivienne Westwood Custom Gown –black, off-the-shoulder, with a sculpted bodice and a full, architectural skirt. The fabric has a subtle, almost reptilian texture, catching the light in a way that feels both classic and a little futuristic. A single bow at the shoulder, nothing fussy, just a sharp gesture.
Her hair is pulled back, parted to the side, a few strands loose. Around her neck, a Swarovski Constella Necklace –delicate, a little sparkle, not overdone. On her finger, the Swarovski Stilla Cocktail Ring . Makeup is soft, skin luminous, blush and highlight from her own R.E.M. Beauty x Wicked: for Good Cherry Blossom Blush Palette in Pink and R.E.M. Beauty Interstellar Highlighter Topper in Miss Mercury . Lashes long, lips a gentle pink, all R.E.M. Beauty –foundation, concealer, bronzer, gloss, and stain, every detail accounted for.
This is a look that leans into drama, but never feels heavy. The Vivienne Westwood gown is all about shape and shadow, but Ariana’s styling keeps it light–no necklace overload, no wild hair, just a sense of ease. For those who follow celebrity photos , it’s a reminder that sometimes the best fashion moment is the one that feels like a pause, not a performance.
She could be anywhere–a gallery, a stage, or just lost in her own thoughts. Tonight, she’s here, and the dress is all structure, all softness, no noise.
Kylie Jenner wore a metallic Ashi Studio custom gown with crystal straps at the 83rd annual Golden Globe Awards in Beverly Hills on January 11, 2026.
Kylie Jenner at the 83rd annual Golden Globe Awards in Beverly Hills, January 11, 2026. She’s not on the red carpet–she’s at the table, surrounded by flowers, glassware, and the low buzz of a real party. The dress is Ashi Studio Custom Gown –metallic, almost liquid, with a sculpted bodice and a web of crystal straps that frame her shoulders and arms. The neckline is deep, the fit is sharp, and the whole thing glints under the lights. It’s not loud, but it’s impossible to ignore.
Her hair is pulled back in a tight ponytail, glossy and severe. Earrings are big, floral, and sparkling–no necklace, no fuss. Makeup is soft, a little glow, brows brushed up, lips a muted rose. She’s not posing, just listening, half-turned, a little distant. There’s a gold clutch on the table, a swirl of glassware, and a sense that she’s both part of the party and somewhere else entirely.
This is not a look that tries to outshine the room, but it doesn’t blend in either. The Ashi Studio gown is all about structure and shimmer, but the real story is how it sits–unbothered, a little futuristic, but still grounded in the moment. For those who track celebrity style , it’s a reminder that sometimes the best fashion moment happens when you’re not even looking at the camera–just sitting, waiting, letting the dress do the work.
She could be anywhere–a gala, a rooftop, or just lost in her own thoughts. Tonight, she’s here, and the crystal straps do all the talking. No need for extra drama.
