Dakota Johnson doesn’t just wear velvet—she weaponizes it. In her latest Grazia Italia spread, the actress trades Hollywood’s red carpet glitter for something far more dangerous: a velvet dress cut with the precision of a surgeon’s blade, bows tied like secrets, and a gaze that could melt a camera lens. Is this the birth of quiet provocation? Or just Dakota, yet again, rewriting the rules of celebrity style?
Dakota Johnson’s Grazia Italia September 2025 cover story isn’t just a photoshoot—it’s a manifesto. The centerpiece? A black velvet dress that clings to her frame like a second skin, its deep V-neck plunging into a trio of satin bows, tied with the nonchalance of a woman who knows the power of a well-placed knot. The fabric, rich and matte, swallows light whole, save for the electric blue of the bows— cyan arrows pointing straight at the heart of convention. The dress, with its puffed short sleeves and knee-grazing hem, is a study in contrasts: demure cut, rebellious texture. It’s the kind of piece that whispers in a room full of shouts, the sartorial equivalent of a raised eyebrow.
The styling is deliberate in its undone-ness. No statement jewelry, no towering heels—just a pair of delicate diamond studs and hair tousled as if she’s just stepped out of a convertible, wind still tangled in the strands. Her makeup? Barely-there, save for a swipe of mascara and lips left naked, as though she’s daring you to look closer. This isn’t dressing up; it’s stripping down to the essentials, then adding a single, subversive flourish.
This shoot arrives at a pivotal moment in Johnson’s career. Fresh off the heels of her romantic comedy Material Love —where she plays a director grappling with the chaos of love, art, and Chris Martin’s fictionalized alter ego—the actress is in the midst of a professional renaissance . In the Grazia interview, she muses on the absurdity of fame , the pressure to be “likable,” and the quiet thrill of playing characters who refuse to be boxed in. The velvet dress, then, isn’t just fabric and thread; it’s a metaphor. Soft to the touch, yes, but impossible to pin down.
Johnson has long been a master of sartorial subversion . Recall her 2023 Gucci campaign, where she paired a prim Peter Pan collar with leather gloves, or her 2024 Met Gala moment —a gown that looked demure from the front and daringly backless from behind. This Grazia spread feels like the next evolution: a look that’s both vintage and futuristic, romantic and a little bit dangerous. It’s as if she’s channeling the spirit of Jane Birkin by way of a cyberpunk heroine , a woman who knows the value of a well-timed pause .
For more on Dakota’s ever-evolving sartorial journey, dive into our celebrity style archives.
Alessia Marcuzzi doesn’t just grace the cover of Grazia Italia—she redefines what it means to be effortlessly iconic at 52.
Alessia Marcuzzi’s September 2025 Grazia Italia feature is more than a photoshoot; it’s a manifesto on aging with grace, wit, and unapologetic style. The Italian TV host, entrepreneur, and former showgirl sits down for an intimate conversation about her career, her approach to beauty, and the art of living life on her own terms.
In the cover image, Marcuzzi embodies understated luxury. She is draped in a sleek, strapless white top that contrasts beautifully with her sun-kissed skin, paired with a high-waisted black leather skirt adorned with delicate fringe detailing. The combination is simple yet striking— a study in contrast that highlights her toned physique and timeless elegance.
Her accessories are equally refined: gold hoop earrings and a stack of delicate rings add a touch of sparkle without overpowering the look. The styling is a masterclass in balance— minimalist yet impactful , proving that true style lies in the details.
Marcuzzi’s interview touches on her decades-long career , her experiences as a single mother, and her philosophy on aging. She speaks candidly about the pressures of fame, the importance of self-care, and her desire to inspire women to embrace their individuality. “I want to show that you can be beautiful, strong, and happy at any age,” she shares, a sentiment that resonates deeply in an industry often obsessed with youth.
Her feature also delves into her business ventures , including her skincare line and her role as a judge on The Traitors Italia . Marcuzzi’s ability to reinvent herself—from showgirl to TV personality to entrepreneur—mirrors the evolution of modern womanhood.
This issue of Grazia Italia is a celebration of real women, real stories, and real style . Marcuzzi’s feature is a highlight, but the magazine also explores broader themes of body positivity, self-acceptance, and the changing standards of beauty . It’s a refreshing take in a media landscape often dominated by unrealistic ideals.
For more inspiring celebrity style , visit CelebMafia.
Olivia Holt proved that understated elegance is the new statement-maker at the US Open, where her head-to-toe black column dress—paired with an effortless, sun-kissed glow—served as a masterclass in modern celebrity style.
There’s a quiet confidence in knowing exactly how little it takes to command attention. Olivia Holt, arriving at the US Open Tennis Championships in New York City on September 3, 2025, embodied this philosophy with a look so refined it bordered on radical. No embellishments, no fuss—just the kind of effortless sophistication that makes you wonder why everyone isn’t dressing this way.
Holt’s floor-length black dress was a study in precision: strapless, body-skimming, and cut with a high slit that offered just a hint of movement. The fabric—a matte, almost liquid jersey —clung to her frame like a second skin, its simplicity belying the meticulous tailoring required to achieve such a flawless drape. The absence of hardware or embellishment let the dress’s architecture speak for itself, a testament to the quiet power of a well-cut garment. It was the kind of piece that felt both timeless and urgently modern, a uniform for the woman who knows the impact of restraint.
Holt’s approach to accessories was equally edited. A pair of strappy black heels , their thin straps echoing the dress’s minimalist lines, elongated her silhouette without competing for attention. Her only jewelry? A delicate ring and a pair of barely-there studs, the kind of details you only notice because everything else is so deliberately pared back. Even her sunglasses—perched atop her head like an afterthought—felt intentional, a nod to the off-duty cool of a woman who’s always camera-ready but never trying too hard.
