Dasha wore a black leather midi dress and strappy studded sandals to the 2026 Spotify Best New Artist Party in West Hollywood on January 29.
At Spotify’s 2026 Best New Artist bash in West Hollywood, Dasha leaned into straight-line attitude with a look built around texture and fit—no fuss, all impact. The dress: a black, fitted leather midi , thin straps, V-neck, and minimal detailing. No belt. No pleats. Just a crisp center seam running top to hem, anchoring the silhouette like a spine.
On her feet? Black strappy heels , wound gladiator-style up to mid-ankle and peppered with silver studs—subtle assault energy, softened by a glossy finish. The hardware echoed in her accessories: stacked bracelets, small rings, and a gold cross necklace that glinted just enough under the flash. Her small clutch, black and unbranded, didn’t try to make a statement—it worked like punctuation.
Hair was long and wavy, parted to the side, heavy at the ends. No loud makeup. Lots of lashes, mauve lip, done. It was the kind of event appearance that says, I dressed for this without a team of stylists yelling across the room. It was clean, confident, pared-down armor. Once again, leather proved it doesn’t have to scream—sometimes it just smirks and walks in.
Kara Del Toro wore a black bodycon mini dress and hoop earrings to Estee Lauder’s Double Wear celebration at Chateau Marmont on January 29.
At Estee Lauder’s Double Wear celebration hosted at Chateau Marmont on January 29, Kara Del Toro delivered a look that felt clean, intentional, and quietly practiced. A black bodycon mini dress , built from thin horizontal banding that hugged close from collarbone to hem. Thin shoulder straps. Scoop neckline. Nothing excessive. The kind of dress that’s not designed to impress—it’s designed to not get in the way of confidence.
The dress did all the fitting; the styling did all the softening. She paired it with large gold hoop earrings , no necklace, and a slicked-back hairstyle that looked wet but held firm. Nothing too staged. Her makeup, though, did the finishing work: glossy oxblood lips , dark-defined brow, and that clean halo of dewy highlight that gives the illusion of candlelight even under LED.
No clutch. No visible heels in frame—just clean lines, body symmetry, and posture that did the talking. The carpet might’ve been nonexistent, but the event appearance still registered like it had precision baked into the seams. Minimal fabric, max control. Sometimes the formula still works when it’s this finely tuned.
Bodhi Rae Breathnach wore a sheer floral peplum dress with socks and pastel heels at the Shelter UK premiere in London on January 20, 2026.
At the UK premiere of Shelter on January 20 in Leicester Square, Bodhi Rae Breathnach showed up like a dream caught mid-bloom. Her outfit looked like something plucked gently from a watercolor palette. The structure? A sleeveless sheer green floral midi dress , layered softly at the waist with a peplum flare, the kind that floats more than it flares. Faint blooms in cream and sky blue blurred across the fabric like pressed petals.
Her choice of styling kept things childlike without being costume. White socks with scalloped trim peeked above a pair of lilac heels , low and round-toed with a gold strap detail—a reminder that whimsy, when done right, doesn’t need to apologize. Her hair was parted to one side in long loose waves, grounded by a tiny white barrette clipped at the temple. No statement earrings. Just small gold jewelry here and there—a chain, a bangle—that felt like it could’ve come from a jewelry box passed down through cousins.
The tone wasn’t loud or rebellious. It didn’t compete with the carpet. It whispered. And sometimes, especially on a red carpet full of velvet and volume, whispering is the most interesting thing you can do.
