Demi Lovato stars in Who What Wear’s November 2025 editorial, photographed by Agata Serge, wearing multiple high-fashion looks across a desert landscape.
For the November 2025 issue of Who What Wear , Demi Lovato delivers a multi-look editorial moment that fuses celebrity photoshoot-coded elemental contrast with fashion spread-coded sculptural styling . Shot by Agata Serge in a desert landscape of ridged sand formations and open skies, the editorial unfolds across several distinct compositions, each reframing Lovato’s presence through texture, silhouette, and terrain.
In the cover image, Lovato stands beneath a clear blue sky wearing a brown and red feathered coat , its volume and movement anchoring the frame in beauty shot-coded dramatic punctuation . The garment’s waist detailing and organic texture evoke a sense of high fashion-coded primal elegance , where couture meets earth.
A second look features Lovato seated in a sculptural metallic chair, styled in a light pink blouse , tan corset , and wide-legged beige trousers , paired with oversized sunglasses. The pose — relaxed yet commanding — reads as studio portrait-coded desert minimalism , where softness and structure coexist.
In another striking composition, Lovato wears a long black sheer dress , its fabric extending dramatically across the sand. The visual contrast between the flowing garment and the rugged terrain creates a moment of styled shoot-coded cinematic isolation , where fashion becomes a force of presence.
The final look showcases Lovato in a shimmering sleeveless gown , captured in both seated and standing poses among desert boulders. The embellishments catch the light, reframing the editorial in fashion photoshoot-coded reflective glamour , where elegance is embedded in stillness and stone.
Daisy Ridley attended the “Train Dreams” lunch reception at Soho House in London, showcasing understated elegance across multiple off-duty looks.
At the “Train Dreams” lunch reception held at Soho House in London on November 19, 2025 , Daisy Ridley delivered a moment of celebrity photoshoot-coded tonal restraint reframed as beauty shot-coded social polish . Captured in a warmly lit interior with wood floors and green leather accents, Ridley’s presence was marked by a series of off-duty looks that fused fashion spread-coded casual clarity with styled shoot-coded editorial realism .
In one composition, Ridley leans against a green armchair wearing a black long-sleeve top , black jeans , and black shoes , accessorized with a silver chain necklace . The monochrome palette and relaxed posture evoke studio portrait-coded tonal discipline , where simplicity becomes a statement. The setting — a cozy, stylish venue with guests mingling and trays of tea being served — amplifies the look’s behind the scenes-coded emotional warmth , situating Ridley within a narrative of quiet confidence and cinematic ease.
Natalie Portman stars in Madame Figaro’s November 2025 issue, reflecting on artistic freedom, cinematic legacy, and the power of reinvention.
For the November 21, 2025 issue of Madame Figaro , Natalie Portman delivers a moment of celebrity photoshoot-coded editorial precision reframed as studio portrait-coded emotional fluency . Posed against a solid pink backdrop, Portman wears a tailored dark suit with subtle patterning, her hands in her pockets and gaze direct. The composition fuses fashion spread-coded minimalist clarity with beauty shot-coded tonal control , where posture and palette become tools of narrative.
The styling is sharp and deliberate, allowing Portman’s expression to anchor the image in high fashion-coded introspection , where elegance is not performed but embodied. The cover’s typography and layout reinforce the editorial’s mood: exclusivity, sensitivity, and signature presence.
This editorial coincides with Portman’s evolving role as not just an actress, but a producer, director, and cultural interlocutor. In her interview, she reflects on her life in Paris, her Franco-American family, and her artistic collaborations with figures like Rebecca Zlotowski and Sophie Mas. She discusses her directorial debut A Tale of Love and Darkness , her recent animated film Arco , and her commitment to projects that challenge norms and expand emotional vocabulary.
Portman speaks candidly about the pressures of visibility, the evolution of her relationship with beauty, and the liberating power of makeup as a tool of self-definition. She describes her work with Dior as a journey toward “assumed femininity,” where confidence is built through experience, collaboration, and self-trust. Her reflections on cinema, literature, and activism reveal a woman deeply engaged with the world — one who sees storytelling as both a mirror and a map.
This layered narrative transforms the fashion moment into a magazine cover-coded manifesto of artistic agency , where the suit is not just a garment but a declaration of presence, purpose, and poise.
