Demi Moore attended the PaleyFest NY 2025 Landman Photo Call at the Paley Center for Media in New York on November 9, wearing a chic patterned mini dress with boots.
On November 9, 2025 , at the PaleyFest NY Landman Photo Call in New York , Demi Moore arrived in an ensemble that fused event appearance-coded elegance with celebrity event look-coded modernity .
She wore a short-sleeved patterned mini dress paired with sleek black boots , projecting press event style-coded confidence . Her long, straight dark hair reinforced public appearance-coded polish , situating her presence within a narrative of media event-coded sophistication .
The look balanced panel look-coded clarity with front row fashion-coded resonance , positioning Moore as a figure who thrives on understated yet impactful styling.
Ali Larter attended the PaleyFest NY 2025 Landman Photo Call at the Paley Center for Media in New York on November 9, wearing a deep burgundy blouse and skirt ensemble with refined accessories.
On November 9, 2025 , at the PaleyFest NY Landman Photo Call in New York , Ali Larter arrived in an ensemble that fused red carpet fashion-coded elegance with celebrity look-coded sophistication .
She wore a deep burgundy blouse with a plunging neckline paired with a matching skirt featuring a ruffled hem , styled with sheer black tights and black heels . The ensemble projected designer outfit-coded refinement , situating her presence within a narrative of red carpet arrivals-coded modernity .
Her sleek styling reinforced fashion moment-coded clarity , positioning Larter as a figure who thrives on understated glamour in media-driven settings.
Ariana Grande wore a 1952 Gilbert Adrian one-shoulder gown with voluminous bubble hem and polka dot detailing at the Wicked: For Good European premiere in London on November 10, 2025.
On November 10, 2025 , at the European premiere of Wicked: For Good in London , Ariana Grande arrived in an ensemble that fused red carpet fashion-coded spectacle with celebrity look-coded archival resonance .
She wore a 1952 Gilbert Adrian one-shoulder ballgown , sourced by stylist Law Roach from Lily et Cie in West Hollywood. The gown’s voluminous bubble hem, sweetheart neckline, and monochrome polka dot paillettes projected couture dress-coded drama , situating her presence within a narrative of red carpet arrivals-coded heritage .
Grande accessorized with a diamond drop necklace from Swarovski —breaking her no-necklace streak—and diamond stud earrings , reinforcing fashion moment-coded clarity .
This appearance reflects a broader trend in haute couture-coded revivalism , where archival pieces are reintroduced as cultural anchors on the red carpet. Grande’s gown isn’t just vintage—it’s a gesture of continuity, situating her within a lineage of iconic appearance-coded glamour .
The gown’s polka dot detailing situates the ensemble within celebrity dresses-coded punctuation , balancing nostalgia with spectacle. Together, the outfit suggests a deliberate embrace of best dressed-coded resonance , positioning Grande as a figure who thrives on both spectacle and intimacy in premiere fashion.
