At the Daytime Beauty Awards, Denise Richards turned red carpet fashion into a study of lightness — a floral dress, fluid movement, and a smile that sealed the moment.
Some red carpet arrivals whisper rather than shout — and Denise Richards’ appearance at the 7th Daytime Beauty Awards was a masterclass in that quiet confidence.
Her dress balanced structure and softness: a fitted bodice with a deep neckline, held by slim straps, gave way to a flared skirt that moved with ease. The floral pattern, rendered in light tones, added a sense of freshness that felt perfectly attuned to a Los Angeles September.
The ensemble evokes the kind of effortless femininity often seen in resort collections — airy, approachable, yet polished enough for a formal event. The neckline introduced allure, while the skirt’s volume kept the look playful rather than severe. It’s a silhouette that flatters by contrast: fitted above, fluid below.
Her strappy sandals, in a shade that echoed the dress, extended the line of the leg and reinforced the lightness of the look. Jewelry, if present, was minimal — a choice that kept the focus on the print and cut rather than ornamentation.
Ashley Moore’s September fashion photoshoot with Mary Nevezhyna turns high fashion into a cinematic study of contrasts — white fur, sheer black, and sculptural light.
What happens when fur collides with shadow, when sheer black meets the geometry of a poolside terrace? Ashley Moore’s September photoshoot with Mary Nevezhyna answers in fragments — each frame a study in tension.
The imagery thrives on contrast. In one shot, Moore reclines on a tiled floor, black lace dress paired with electric-blue socks and strappy heels — a collision of sensuality and irreverence. In another, she stands by a modernist pool, wrapped in a massive white fur coat, sheer tights elongating the line of her legs, sunlight slicing across the scene in sharp architectural shadows. Indoors, the narrative shifts again: seated against wood paneling, fur still enveloping her, she lights a cigarette — a cinematic tableau that feels equal parts Helmut Newton and Sofia Coppola.
The wardrobe is deliberately minimal in number but maximal in impact. The oversized fur coat dominates, its plush volume juxtaposed against the fragility of sheer tights. The lace dress, glimpsed in the floor pose, adds a layer of gothic sensuality, while the bright blue socks inject a jolt of surrealism. It’s styling that resists cohesion in favor of curated dissonance — a hallmark of high fashion editorials.
Accessories are stripped back to essentials: strappy black heels, the occasional cigarette, the fur itself functioning as both garment and prop. The absence of jewelry or bags underscores the editorial’s focus on form, texture, and mood rather than consumerist detail.
Ashley Graham’s event appearance at the Daytime Beauty Awards distilled modern minimalism into a single gesture — a sleeveless black dress, a daring slit, and unshakable confidence.
Ashley Graham knows how to turn a carpet into a runway — and at the 7th Daytime Beauty Awards, she did it with nothing more than black precision.
The look is stripped down yet commanding: a sleeveless black dress, cut close to the body, then sliced open with a thigh-high slit that redefines movement. The belt at the waist interrupts the monochrome field, adding structure and a subtle nod to utilitarian chic.
The dress itself appears crafted from a sleek, non-textured fabric — its simplicity is its strength. The silhouette is direct, almost architectural, with the slit acting as both punctuation and provocation. It’s a study in restraint: no sequins, no embroidery, just line, cut, and proportion.
Her wide belt anchors the look, preventing the slit from veering into excess. Black high-heeled sandals extend the vertical line, elongating the frame. The absence of heavy jewelry keeps the focus on silhouette rather than sparkle — a deliberate choice that reads as editorial rather than ornamental.
