Denise van Outen wore a black textured high-neck mini dress and leather knee-high boots at the TV Choice Awards 2026.
At the TV Choice Awards 2026 in London, Denise van Outen arrived in a black outfit thick with texture and attitude. There’s something decisively nocturnal about the look— gothic-lite , if we’re giving it a name. The dress is sleeveless , high-neck , and layered in what looks like a brocade or jacquard fabric—dark with hints of metallic weave peeking through. The hemline is uneven and raw-edged, ending around mid-thigh. There’s no splashy embellishment, just controlled chaos in the fraying lace trims and broken symmetry.
She grounded it with over-the-knee black leather boots , matte and structured, adding heaviness to something that could’ve easily gone floaty or theatrical. A small black clutch with a quilted texture —not obviously branded but Chanel-adjacent in feel—anchors the accessories. On her wrist: a coiled mess of chunky stacked bracelets , metallic and tangled like overheard subway chatter.
What’s nice about this look is its refusal to overdress for the red carpet . It’s not “haute couture.” It doesn’t need to be. It’s fast—slightly off-kilter—and aware of its own contrast. You could call it biker-bar elegance if you needed a label. But really, it’s just a woman in control of her references.
There’s a softness in her platinum-blonde bob , pulled back but not stiff—stray wisps escaped around the ears. Makeup stays minimal—just a clean finish and a neutral lip. No drama, except in cut and boot.
The smart rebellion here is in choosing texture over shine, shadow over sparkle. It lands without screaming for attention.
Charlotte Hawkins wore a red and silver floral sequin mini dress with gold heels at the TV Choice Awards 2026 in London.
At the TV Choice Awards 2026 in London, Charlotte Hawkins stepped onto the carpet wearing a mini dress that felt built for a night out, not a slow-motion reveal. The piece is straight-cut, no frills, but fully dressed in high-shine floral sequins —reds, silvers, bronzes—pressed into a tight botanical grid across a sheer-neutral base. The effect? Immediate. Flickering. Someone dropped a disco ball into a flowerbed.
The silhouette isn’t asking for drama—it’s short, capped sleeves, no plumes, no excess fabric. But the surface work does all the talking. It’s not exactly subtle, but not jokey-camp either. More like: “Yes, I wore the one dress in the wardrobe that actually glimmers when I move.” There’s an ease to it. No visible jewelry overload, just a soft bracelet, manicured fingers, and hair relaxed in soft shoulder-skimming waves. Almost like Hawkins gave the glam team a 45-minute cap and told them to skip the contour palette.
The styling holds: gold pointed heels —patent finish—blunt, firm, and functional. Not sky-high stilettos. These won’t sink into carpet piles or wobble in photo calls. Smart.
In the broader sea of red carpet fashion , especially at a TV-centric event that leans cozy rather than couture, this kind of look hits a sweet spot—festive, unfussy, just enough flash to earn a camera pan.
It’s the kind of dress that chooses joy over polish, light over structure. And it works because it doesn’t beg for justification.
Narinder Kaur wore a white sequin cutout dress with balloon sleeves at the TV Choice Awards 2026 in London.
At Hilton Park Lane in London , Narinder Kaur appeared at the TV Choice Awards 2026 cutting a bold silhouette in a pristine white ensemble with late-night glam undertones. Her dress—cut from subtly shimmering white sequin fabric —features a plunging V-neckline, dramatic bishop sleeves , and an artful midriff cutout anchored by a large circular embellished clasp. The fit is body-skimming but not overly tight, ending around mid-calf, and complemented by transparent high-heeled pumps that add barely-there structure. A pair of bold crystal hoop earrings and dark-polished nails round the look off with just enough edge. This is red carpet fashion built for flashbulbs, minus the fuss.
There’s a lived-in joy here—something distinctly early-2000s but stripped of excess. The sparkle reads less cocktail-glam and more like Nora Ephron-on-Holiday: fitted, punchy, and self-aware. It hints at red carpet nostalgia without leaning into costume, especially in an era where quiet luxury often smothers personality. At an event like TV Choice—celebrating broad appeal—this look leans into exactly that: the visual optimism of shows you’ve grown up with.
The clarity of this look lies in its silhouette control. The plunge-cut bodice paired with exaggerated sleeve volume injects theatricality, but it’s the centered jeweled ring—anchoring the otherwise exposed midsection—that delivers the architectural discipline needed to prevent the outfit from collapsing into excess. There’s a sharp understanding of proportions at play. What might seem like dramatic flair at first glance is, in fact, a carefully controlled calibration of volume and curve. Its restraint is what makes it so memorable. The hem sits clean, the sequins catch light without veering gimmicky, and the choice of sheer heels maintains elongation without competing for attention.
