Never one to play it safe, Diana Vickers unleashed a whiplash chic moment ahead of her performance at Manchester Pride on August 23, 2025—where denim, drama, and a cloud of tulle collided in full Technicolor glory.
There’s a certain alchemy in fashion when the mundane meets the theatrical—and Diana Vickers just redefined that equation. On stage under the pulsing purple lights of Manchester’s Pride festival, she wasn’t just performing; she was declaring . Her look? A high-octane fusion of punk attitude and vintage burlesque, delivered with the kind of unapologetic confidence only a seasoned performer can wield.
The centerpiece is an audacious ensemble: a metallic gold triangle bra (possibly custom or from a niche designer), paired with sky-blue high-waisted denim hot pants that sit just above the hip bone—raw, bold, and undeniably modern. But what steals the show is the cascading, multi-layered pink tulle cape that drapes over her like a living flower. It’s voluminous, almost architectural, with ruffled tiers that flare out dramatically as she moves. The fabric itself—lightweight organza—catches the stage lighting like stained glass, glowing in hues of coral and magenta.
The silhouette is both grounded and soaring: tight at the waist and legs, then exploding into a cloud of softness around her shoulders and back. It’s a paradox—a hard-edged core wrapped in something fragile and dreamlike. And yet, it works. Not because it’s loud, but because it’s intentional .
Accessories: She completes the look with knee-high metallic boots—shiny, angular, and likely leather or patent—echoing the gold of her top. They’re not just footwear; they’re armor. In her hand, a sleek black microphone, held like a scepter, adds to the performative flair. No jewelry, no bag—just pure, unadulterated presence.
For more boundary-pushing looks from the world’s most stylish stars, explore our curated collection of celebrity photos .
Becky Hill turned the Chevron Stage into her personal powerhouse at Reading Festival yesterday, fusing gritty denim vibes with unfiltered charisma—because who says festival headliners can’t serve casual rebellion with a side of vocal thunder?
In a set that had the crowd surging like a human wave, Becky Hill didn’t just perform; she commanded the Chevron Stage at Reading Festival 2025, her energy crackling through the purple-hued lights as if the whole setup was wired directly to her pulse. It’s the kind of entrance that reminds you why live music—especially at festivals—feels like a jolt to the system, raw and immediate.
Diving straight into the visuals, Hill’s outfit screamed effortless cool, a nod to Y2K utility chic updated for the modern stage warrior. The navy blue crop tank top, with its simple sleeveless cut hugging her frame just enough to highlight toned arms mid-mic grip, played perfectly against the baggy cargo jeans below—oversized, low-slung, and loaded with pockets, straps, and strategic rips that added a textured, lived-in edge. Denim in a deep indigo wash dominated, its sturdy fabric catching the stage glow without overwhelming the silhouette, which balanced fitted up top with voluminous, relaxed legs that swayed with every beat drop. No frills, no fuss, just a cut that let her move freely, turning performance into something almost athletic.
In an era where festival sets can feel formulaic, Hill’s Chevron headline—complete with teases of new tracks like “Lost the Plot” from her upcoming album—felt refreshingly authentic. This look epitomizes her evolving celebrity style , blending grit and grace in a way that leaves you wondering: is this the blueprint for pop’s next festival era, or just Becky proving she’s always one step ahead?
Alessi Rose didn’t just sing—she knelt, leaned, and bled emotion into every note, her sheer blue top catching the stage lights like a whisper of rebellion.
There’s a moment in every great festival set when the artist stops performing and starts confessing. For Alessi Rose, that moment came mid-song at Leeds Festival 2025, as she dropped to her knees, microphone gripped tight, and let the music take over. It wasn’t just a performance—it was a reckoning.
Rose’s set was a study in contrasts: softness and strength, vulnerability and command. Her outfit, a light blue sheer cropped top paired with a crisp white skirt, floated somewhere between ethereal and punk. Against the backdrop of saturated pinks and reds—those LED screens pulsing like a heartbeat—she looked like a dream caught in a riot.
The sheer top, gauzy and translucent, offered a glimpse of skin without veering into provocation. It was layered just enough to suggest intention, not accident. The white skirt, high-waisted and structured, grounded the look with a clean silhouette that balanced the fluidity of the top. Together, the pieces created a visual rhythm—light, air, and edge. No logos. No gimmicks. Just texture and tone.
