Dita Von Teese arrived at The Art of Elysium’s Lee Daniels HEAVEN 2025 gala in a long, sequined high‑neck gown with long sleeves, red lipstick and a small clutch on the dark‑blue carpet in Montecito, CA.
At The Art of Elysium’s Lee Daniels HEAVEN 2025 event held at Rosewood Miramar Beach, Dita Von Teese turned the dark‑blue carpet into a study in restrained sparkle. She stepped out in a floor‑length, long‑sleeved gown rendered entirely in shimmering sequins, the high neckline and full sleeves giving the silhouette a classic, covered‑yet-glamorous profile. A compact clutch and polished styling completed the look.
Cindy Crawford attended Netflix’s Jay Kelly premiere at Chateau Marmont in Los Angeles on November 11, 2025, wearing an off‑shoulder dark dress with a gold clutch.
On November 11, 2025 , Cindy Crawford joined the premiere of Netflix’s Jay Kelly at Chateau Marmont in Los Angeles, arriving in a look that fused event appearance-coded elegance with celebrity event look-coded poise .
She wore a dark off‑shoulder dress paired with a gold clutch and styled hair , accessorized with earrings and a drink in hand. The ensemble projected press event style-coded sophistication , situating her presence within a narrative of media event-coded glamour .
Lily Collins appears in F Magazine (Nov 18, 2025) in a portrait and feature that pairs a vivid red cover look with a candid essay about recovery, parenthood and reinventing public identity.
Lily Collins fronts F Magazine in a striking red‑toned portrait that pairs vintage glamour with disarming directness. The cover image—bangs, high neckline, and dangling earrings—frames a feature that moves between cinematic career notes and intimate confessions, presenting an actress who has turned scrutiny into agency.
Across the spread Collins reflects on a life in the public eye: early starts on set, the challenge of living with a famous surname, and the work of carving an independent career. She situates recent chapters—Emily in Paris’s global reach and her evolving family life with husband Charlie McDowell and daughter Tove Jane—within a larger story of growth. The piece emphasizes a pragmatic optimism: Collins credits creative work and relationships for helping her rebuild trust and identity after a fraught childhood and parental separation, and she now frames her public life around care, craft and small, steady joys.
Collins recalls moments when Los Angeles strangers misread thinness for praise—compliments that masked deeper cultural harm—and she connects those encounters to the personal history that inspired her candid choices on screen and off. Her past, including a difficult family split and early exposure to attention, informs a present where she refuses to be defined by others’ snapshots of her body; instead, she embraces motherhood, meaningful advocacy for anti‑bullying and scientific causes, and a renewed sense of self that privileges care over validation.
The editorial balances lush, fashion‑forward imagery with approachable staging: a green‑and‑white striped set for a playful, vintage camera moment; a scene‑linked still from To the Bone to anchor the piece’s honesty; and the red cover portrait to signal reinvention. Styling choices—strong silhouettes, framed bangs, and curated jewelry—work as visual punctuation to the text’s emotional candor.
