Dixie D’Amelio steps into Valentino’s 2026 campaign, shifting between polished interiors and raw street textures.
In Valentino’s 2026 campaign, Dixie D’Amelio is caught in two moods. One frame shows her sliding out of a black car, teal satin blouse glinting under low light, gold accents at the shoulders. White lace shorts, sheer floral tights, and a small handbag patterned with blooms. Black heels with oversized bows finish the look. It feels half-candid, half-staged—like she’s stepping into a night that’s already moving.
Another shot shifts tone. She’s on the sidewalk, in front of a newsstand. Floral top edged with fur, denim skirt patched with inserts, fur-trimmed shoes. A tapestry bag in hand. The background is ordinary—cars, traffic signs, painted walls—but the outfit pushes against it, layering textures that don’t quite belong together yet somehow hold.
The campaign doesn’t smooth her into one image. It lets her be both—inside the car, polished and styled, and outside, eclectic and rough-edged. Valentino’s choice here isn’t about glamour. It’s about showing how clothes sit differently depending on where you stand.
Amber Heard wore a long black overcoat, wide‑leg jeans, and sneakers while out in Madrid with her daughter in January 2026.
In Madrid on a cool January day, Amber Heard was seen walking through the city streets dressed in effortless practicality. She wore a long black double‑breasted coat , the kind that falls straight and heavy but moves as she walks. Underneath, the faint outline of a quilted top is visible at the collar — warm, functional, without fuss. Together with her wide‑leg blue jeans and two‑tone sneakers , the look leaned casual and grounded, built for comfort over statement.
In her hand, she carried a folded umbrella , pale and patterned, almost childlike in contrast to her dark coat — a small, quiet pop of personality. Her hair was pulled back into a high ponytail , face bare of heavy makeup, expression focused as she looked down at her phone mid‑stride. There’s ease in this photo — no performative pose, just someone living a quiet European morning.
The look fits her new rhythm: understated, neutral, maybe even introspective. Madrid seems to suit her like this — unarmored, unhurried, almost anonymous.
Paola Turani wore a gold and black beaded mermaid gown with a fitted corset top at the Tony Ward Haute Couture Spring/Summer 2026 show in Paris on January 26, 2026.
At the Tony Ward Haute Couture Spring/Summer 2026 show in Paris, on January 26, 2026 , Paola Turani stepped into the light wearing a dress that shimmered like dusk turning to night. Her floor‑length gown combined a gold‑beaded sheer base with a gradient that deepened into black sequins trailing into a train . The cut followed a mermaid silhouette , sculpted sharply through the waist and hips, before flaring slightly at the hem.
The design featured a structured corset top , inlaid with black embellishment that framed the bust and mirrored the darker tones below. The intricate beadwork—dense at the top, scattering delicately along the skirt—caught every flash of camera light, moving between metallic warmth and inky shadow.
