Doutzen Kroes appears in Vogue France February 2026, photographed in two distinct looks that highlight texture, structure, and quiet confidence.
February 2026. Doutzen Kroes in a thick-knit sweater, sleeves oversized, twisted front exposing midriff. Denim jeans faded, background plain white. The look feels raw, stripped down, almost stubborn in its simplicity. No distractions, just fabric and posture.
Another frame: cropped leather top black, trousers beige wide-leg, pleats sharp. Belt black, buckle gold. Hands tucked in pockets, stance steady. The contrast between structured leather and loose trousers makes the outfit feel balanced, modern, almost architectural.
Rihanna wore an Alaïa zebra-print wool coat and tiger-print pumps while arriving at Metro Private Cinema Bar in New York on January 19, 2026.
New York, January 19, 2026 — Rihanna has a way of making winter feel slightly less predictable. Walking beside A$AP Rocky, she wore an Alaïa Zebra-Print Wool-Blend Jacquard Coat cinched at the waist–heavy, tactile, unapologetically wild. The tiger-striped texture looked both structured and a bit chaotic, the fur trim giving it this uneven, living-thing energy. Underneath, a black outfit barely visible in the split of the coat as it moved.
On her feet, the Alaïa Tiger-Print Calf Hair Pumps continued the animal rhythm–matching print on print without hesitation. Against all that pattern, the rest was quiet: oversized dark sunglasses, a red lip that caught the streetlight, and a thin gold choker pressed neatly against her collar. Her hair, pulled back but loose around the front, made the look feel effortless, almost accidental.
Lisa Vicari posed for VOGUE Italia in a voluminous white eyelet dress with black heels for the January 2026 fashion photoshoot.
January 2026 — Lisa Vicari leans toward quiet modernity in her VOGUE Italia photoshoot, seated in a minimal studio. The setup is stripped back: white floor, soft wall contrast, and sheets of light brushing the edges of her silhouette. Nothing ornamental beyond the garment itself.
She wears a full, ruffled white dress with eyelet-lace hems and balloon sleeves that swallow much of her frame. It’s classic but not nostalgic–more like an experiment in restraint. The fabric folds high at the collar, and she lets her hand rest on the desk beside her, expression unreadable, gaze steady. Black pointed heels peek from below, tiny interruptions of formality against the innocence of white.
