Dove Cameron wore a draped satin Georges Hobeika gown and carried a sculptural silver clutch to the 2026 Pre-GRAMMY Gala in Beverly Hills.
At the 2026 Pre-GRAMMY Gala and GRAMMY Salute to Industry Icons honoring Avery and Monte Lipman on January 31, Dove Cameron walked the Beverly Hilton red carpet looking like she had floated in from a fresco. The dress didn’t just drape — it descended.
She wore a blue satin evening gown from Georges Hobeika , styled with off-the-shoulder ruching that cocooned around her neckline like smoke. The folds twisted down her torso and waistline in effortless motion, broken only by a sharp waterfall of fabric falling from the hip and pooling at her feet in a soft train. A cinematic fabric moment, but with a sober attitude — no shimmer, no crystals, just tactility.
She held a sculptural silver clutch , somewhere between jewel and weapon — weighty, spherical, unexpected. Jewelry stayed low: stacked rings and small earrings barely catching light. Her nails were pale, her styling minimal.
The hair? Glossy, center-parted, straight with slight bend at the ends — not trying to hold attention. Eyes rimmed in icy shimmer. Brows lifted. Skin like candlelight. She didn’t wear boldness. She wore presence.
Some dresses shapeshift. Dove’s simply hovered. And then disappeared.
Madison Beer wore a Marmar Halim pleated ivory gown with a thigh-high slit and Jimmy Choo heels at the 2026 GRAMMY Pre-Gala.
At the Pre-GRAMMY Gala & Salute to Industry Icons honoring Monte and Avery Lipman on January 31, Madison Beer appeared in a gown that breathed more than it posed. No gimmicks. No sequins. Just shape, light, and skin.
She wore a pleated silk capelet gown by Marmar Halim , soft-structured and ivory-toned, gathered tightly at the waist and released into vertical folds that dropped down with ease. The strapless bodice was folded in semi-sweetheart fashion — nothing too armored, nothing falling. Just firm enough to hold its own against the curve of her frame.
The thigh-high slit was cut high and direct, exposing the full length of her left leg without looking like a challenge. It made room for a pair of Jimmy Choo Rosie MM heeled sandals , tied in a subtle bow detail. A red carpet fashion moment that didn’t scream. It smiled. Slightly.
Hair was worn in classic brushed curls, parted off-center for retro effect — movie premiere, 1964 energy. The makeup: soft rose cheeks, calm nude lip, brushed-up brows. Jewelry included small diamond drops and delicate rings, nothing that pulled you away from the fabric’s movement.
Some dresses talk. Madison’s whispered — and you still leaned in to hear every word.
Demi Lovato wore a sequined cutout halter gown by Rodarte at the 2026 Pre-GRAMMY Gala in Beverly Hills, paired with Old Hollywood glam.
At the Pre-GRAMMY Gala & Salute to Industry Icons in Beverly Hills on January 31, Demi Lovato channeled a darker thread of Old Hollywood glamour — sequins, structure, and a neckline sharp enough to slice air.
She wore a black cutout gown from Rodarte , dipped in sequins from neck to hem. Dense, reflective, a little bit dangerous. The halter neckline wrapped tightly at the throat, then opened into a precise teardrop-shaped cutout across the chest . Not soft. Not flowing. But honed and graphic — edged like it was drawn with eyeliner and refusal.
The silhouette followed the body down into a clean full-length skirt, no train, no flare. Just that fine-tuned vertical seamwork and all-over shimmer fighting the light. She paired it with black ankle-strap stilettos , barely visible beneath the hem.
Hair was styled in vintage-leaning brushed waves , parted deep to one side. Eyeliner pulled long. A clean brow, nude lip. Her red manicure popped like a final period. The look came together slowly — no boom, no drama spike. Just elemental cohesion.
Demi didn’t play against the dress. She absorbed it. And the room adjusted accordingly.
