Dree Hemingway wore a long-sleeved red satin gown with draping details to the FX Love Story premiere at Carnegie Hall on February 3, 2026.
At the FX premiere of Love Story: John F. Kennedy Jr. & Carolyn Bessette at Carnegie Hall in New York City on February 3, 2026 , Dree Hemingway arrived in a gown that lives in the narrowed space between restraint and romance. A deep red satin—true red, not too blue, not orangey—clings and drapes in all the right (and slightly wrong) places. The dress is long-sleeved, gathered sharply at the cuff and shoulder, with a v-shaped neckline that’s soft, not severe.
The real action happens through the body. From the waistline down, the gown tugs and scoops in layered folds across the hip like it’s been adjusted and readjusted—on purpose. The hem drops slightly asymmetrical, like the kind of pull that makes you wonder if it was wind, movement, or construction. Either way, it works.
Accessories kept the line: silver statement earrings, sculptural ring stack. No necklace—which was the right call, given the shoulder pleats and volume in the chest. Hair sat parted down the center, tousled just barely, adding to that air of not trying too hard. Natural-toned nails. Soft lip. Minimal shadow.
There’s no overt drama here—no oversized train, no high slit, no see-through gamble. Just a gown that leans in and trusts the fabric to keep telling the truth.
Constance Zimmer wore a red off-shoulder midi dress and diamond-patterned heels to FX’s Love Story premiere at Carnegie Hall on February 3, 2026.
At the FX premiere of Love Story: John F. Kennedy Jr. & Carolyn Bessette , hosted at Carnegie Hall in New York City on February 3, 2026 , Constance Zimmer arrived in precise form. Her look wasn’t fussy, wasn’t trying to do ten things at once. It did one thing, and did it right. A classic cut red dress —structured off the shoulders, folding into a heart-shaped neckline that felt just nineties enough without tipping into costume.
The hemline? Simple. Just below the knee, tapered. Nothing swishy. The fabric had weight—not stiff, just clean. A grown woman’s version of red carpet polish without sparkle or stunt. Shoes? Black and white pointed pumps covered in a tight diamond pattern. Bold, but not loud. A subtle nod to texture against all that smooth satin.
Jewelry stayed sharp. A ruby pendant necklace resting right in the dip of the collarbone. Matching red stone on the ring. Clean metal bracelet and simple drop earrings. Hair was left softly undone—light wave, part slightly off-center. Not a controlled helmet. Not chaos either.
This wasn’t fire-red bombshell. It was control, with a curve. An outfit that knew exactly where the flashbulbs would hit—and didn’t bother adjusting.
Kiersey Clemons wore a ruched high-neck dress and plum-toned pumps to Apple TV Press Day in Santa Monica on February 3, 2026.
At the Apple TV Press Day in Santa Monica , held on February 3, 2026 , Kiersey Clemons showed up in something that didn’t ignore the moment—but didn’t cling to it either. A midnight black ruched dress , high-collared and cap-sleeved, with graceful folds cinching from neck to hem. Not overly tight. Just close, like a thought that won’t quite let go. You get the sense it moved well in real life—not stiff, not clingy. Something in between.
The dress hits just above the knees, keeping proportions classic but not stale. The skirt floats out slightly, not flared, but enough to keep the shape organic. Paired with matte plum heels , pointed and dark enough to feel grounded, without trying to match too exactly. Smart. Subtle.
Her hair? Loose curls pulled to the side, soft around the face. The makeup stayed warm—soft pink lips, slightly glowing cheekbones, no graphic lines or bold lip drama. It didn’t need more.
And that’s the whole feel here. It’s quiet composure. A dress that works because she does nothing to force it.
