Dua Lipa wore a gold sequined bodysuit with chains and gloves for her Madison Phipps photoshoot.
Dua Lipa posed for Madison Phipps in a theatrical gold bodysuit on December 4, 2025 — a look that fused cabaret excess with editorial precision. The sequined base , densely packed and reflective, served as a canvas for layered gold chains , brooches , and a belt that transformed the outfit into a wearable sculpture. This wasn’t just a fashion spread . It was a performance costume reimagined for the lens.
The long black gloves and fishnet stockings added a note of vintage burlesque, anchoring the look in stage tradition while amplifying its modern edge. The dark backdrop sharpened the contrast, turning the gold into pure visual rhythm — a styling move that made the outfit feel kinetic even in stillness.
Gwen Stefani wore Pleaser Adore boots and a pink ruffled skirt for her Tonight Show appearance on December 3, 2025.
Gwen Stefani appeared on The Tonight Show Starring Jimmy Fallon on December 3, 2025, wearing a look that fused punk nostalgia with pop exuberance. The black long-sleeve top anchored the outfit in sleek minimalism, while the voluminous pink ruffled skirt exploded with theatrical energy — a silhouette that reframed talk show dressing as stage-ready spectacle.
Her fishnet stockings and black platform high-heeled boots — confirmed as Pleaser Adore Boots — extended the outfit’s logic: unapologetically bold, rooted in performance culture, and calibrated for visual impact. The high ponytail , styled with platinum precision, added a note of Barbie-punk irreverence, while her playful pose (leg lifted, smile intact) turned the backstage moment into a fashion show guest tableau.
Natasha Lyonne wore a sequined black gown with sunglasses at the Red Sea Film Festival premiere in Jeddah.
Natasha Lyonne attended the premiere of “Giant” at the Red Sea International Film Festival in Jeddah on December 4, 2025, wearing a sequined black gown that fused retro glamour with architectural texture. The full-length silhouette , defined by horizontal striped panels and a high neckline , offered a sculptural take on red carpet dressing — a gesture that reframed sparkle as structure.
The short sleeves , slightly flared and structured, added a note of vintage formality, while the sequins caught light in rhythmic intervals, turning the gown into a visual score. Her sunglasses , paired with large earrings , multiple bracelets , and rings , signaled a deliberate refusal to play by conventional red carpet rules — this was not about demure elegance, but about presence.
