Dua Lipa wore a green Raf Simons leather coat with fur-trimmed Louboutin boots during a night out in Paris on January 29, 2026.
Spotted in Paris on January 29, Dua Lipa stepped out with Callum Turner and her younger brother, embodying a kind of urban fashion logic that doesn’t chase perfection — it just moves confidently within contradiction . Her look starts with structure: a forest green Raf Simons Fall 2019 leather coat , crisp through the shoulders, long and heavy, swinging open down to the ankle. Underneath, visible denim — worn-in mid-wash jeans , slightly undone at the hem, cuffed to meet the tall fur of her boots.
And those boots — the center of gravity. Tan leather toes, conical heels, everything above the ankle swallowed in thick, layered wolf-like faux fur . Not glamorous-fur. Utility-fur. Sharp and primal and cartoonish all at once. These are Christian Louboutin Yangzee boots , equal parts reindeer chic and fashion dare. A strange choice. A correct choice.
Peeking from under the coat: a bit of gold hardware on the belt, a nod to styling but not the point. Slung snug under her arm is a vivid green Chanel 25 Bag , diamond-quilted and gleaming — slightly off in shade from the coat, which weirdly works. Earrings are visible: bold Chrome Hearts gold hoops that don’t scream, but maybe mutter something ironic. And, sharp-eyed fans will have clocked it by now — that glint on her left hand isn’t just shine: it’s a custom Tiffany & Co. engagement ring . Quiet flex. Very quiet.
Dixie D’Amelio wore a black mesh dress with appliqué knots at the 2026 Warner Music Grammy Party in Los Angeles.
At the 2026 Warner Music Grammy Party in Los Angeles, Dixie D’Amelio showed up in a look that didn’t whisper or play nice. It was direct. Textural. Almost unfinished — in the best way possible. She wore a sheer black mesh dress , garment more gesture than fabric, embroidered with flocked rosettes and bulbous knots that dangled and clung like unraveling vines. You could see everything. But that doesn’t seem to bother her.
The underlayer — maybe athletic lingerie, maybe just purposeful stagewear — skimmed the body without fuss. No shimmer. No corsetry. The neckline was scooped and soft, the sleeves exaggerated yet light. There was no real structure except the stitching that held it all together. It gave zero interest in being neat. The hems? Raw and high, held up with massive knotted bundles that looked like they were grabbed off a macramé wall hanging. There’s something very “ fashion show guest who also skipped rehearsal” about the styling — and it works.
Hair was cinched high into a slightly ’90s updo that refused to look red carpet-polished. That wispy, pulled-loose effort. And for shoes — pointed black pumps, classic, safe even. A single silver anklet wrapped just above the heel like punctuation. No bag. No jacket. No visible jewelry drama except for that lone glint. No effort to tone it down. Just walked in — exposed, maybe a little chaotic — like it wasn’t that big of a deal.
Dixie D’Amelio wore Adidas track pants and a pink striped cardigan at a 2025 charity event hosted by Raising Cane’s in Los Angeles.
At a community-focused charity event hosted by Raising Cane’s for the Boys & Girls Club in Hollywood, Dixie D’Amelio cut an unfussy figure in a look that felt perfectly parked between casual and considered. No filters here. No borrowed diamonds. Just a cozy striped cardigan in fuzzy mohair tones of hot pink and cherry, worn open over a simple white tee.
The twist? She paired it not with jeans or a mini skirt, but with classic black Adidas track pants , complete with the iconic three stripes. Not retro irony, not logomania drama — just straight utility, the kind of thing that works whether you’re handing out bikes or hopping out of a Sprinter. On foot: chunky white sneakers , flat and real. Hair tied back in an everyday ponytail. Brows brushed up. And earrings — the only touch of obvious styling — gave off a polite shimmer but didn’t beg for attention.
