Eiza Gonzalez wore a black Mugler Spring 2026 corset top and skirt with David Yurman jewelry for her Vogue World photoshoot in October 2025.
For her Vogue World: Hollywood photoshoot in October 2025 , Eiza Gonzalez posed in a dramatic indoor setting that fused antique architecture with high fashion precision. She wore a black Mugler Spring 2026 ensemble , composed of a short-sleeved corset-style top with intricate paneling and a long black skirt , paired with black heeled boots . The look was accessorized with the Tyler Ellis Perry Clutch in Silver Metal , David Yurman Stax Statement Ring , and David Yurman Liberty Baguette Drop Earrings — each piece adding sculptural punctuation to the otherwise monochromatic styling.
Her hair, styled in soft waves cascading to one side, introduced movement to the otherwise structured silhouette. The backdrop — a carved wooden bench with griffin motifs and a rustic brick floor — amplified the editorial tension between old-world ornamentation and modern minimalism.
Gonzalez’s styling reflects the 2025 editorial trend of architectural femininity , where corsetry is reimagined not as historical costume but as a symbol of precision and control. The Mugler top, with its sculpted seams and fitted structure, evokes the brand’s legacy of anatomical tailoring, while the long skirt softens the silhouette without diluting its impact.
In a fashion landscape increasingly drawn to maximalist storytelling, this look signals a return to form-first editorialism — where shape, texture, and proportion do the narrative work. The jewelry, though minimal in quantity, delivers maximal resonance: the David Yurman pieces act as metallic counterpoints to the matte black fabric, reinforcing the theme of tension and release.
Leni Klum wore a black leather zip-up jacket and matching pants with white sneakers in New York City’s Financial District on October 27, 2025.
On October 27, 2025 , Leni Klum was spotted walking through New York City’s Financial District , serving up a sharp and directional celebrity street style moment. She wore a black leather zip-up jacket paired with matching black leather pants , styled with white sneakers and a blue takeaway coffee cup in hand — a visual punctuation that added a pop of color to the otherwise monochrome palette.
The outfit’s sheen and structure leaned into urban fashion codes , while the relaxed fit and casual footwear grounded the look in model off-duty realism. The backdrop — scaffolding, parked cars, and city grit — amplified the outfit’s editorial tension: polished but not precious, styled but not staged.
Sydney Sweeney wore a ruched white Stella McCartney mini dress with Femme G63 slingbacks at the SCAD Savannah Film Festival on October 27, 2025.
On October 27, 2025 , Sydney Sweeney attended the 28th SCAD Savannah Film Festival in Savannah, Georgia, delivering a crisp and sculptural celebrity event look that balanced red carpet polish with editorial clarity. She wore a white one-shoulder ruched mini dress from Stella McCartney’s Spring 2026 collection , styled with Femme G63 slingbacks in patent white — a pairing that emphasized tonal cohesion and silhouette precision.
The dress featured asymmetrical ruching and a fitted cut that highlighted Sweeney’s frame without excess. The one-shoulder neckline added architectural tension, while the clean palette allowed the fabric’s texture to take center stage. Her pointed-toe heels reinforced the look’s directional sharpness, and the blue carpet backdrop provided a saturated contrast that made the ensemble pop.
Sweeney’s styling reflects the 2025 red carpet shift toward sculptural minimalism , where form and finish replace embellishment as the primary storytelling tools. The Stella McCartney dress, with its ruched detailing and asymmetrical cut, aligns with the designer’s ethos of conscious construction — garments that speak through shape rather than ornament.
In a festival setting that celebrates cinematic craft, her look felt appropriately curated: not overly theatrical, but still camera-ready. The choice of patent slingbacks added a subtle nod to retro glamour, while the overall styling suggested a deliberate move away from maximalist red carpet tropes.
