Eiza Gonzalez wore a white strapless gown with a front slit and carried a Prada Cleo Brushed Leather Mini Bag on January 11 2026.
Outside the walls of Chateau Marmont, the night still carried that post-show static–flashbulbs, valet crunch, voices blurred together. Eiza Gonzalez stood amid it all, calm, almost statuesque. She wore a strapless white gown, the fabric sculpted close to her frame with a single precise slit cutting upward from the knee. No sequins, no fuss. Just clean, faultless tailoring under streetlight.
She held a Prada Cleo Brushed Leather Mini Bag , metallic against the calm of the dress, its curved shape catching the light with every tilt of her hand. Chrome-thin sandals mirrored it, barely there, leaving the impression of motion even as she stood still. Emerald drop earrings provided the only burst of color–a quiet interruption in monochrome. Hair was swept back tight, revealing the posture of someone too self-possessed to chase the camera.
Trew Mullen appears in Numéro Netherlands January 2026, photographed in multiple editorial looks that highlight texture, mood, and avant-garde styling.
Look One
Oversized light blue ruched garment, buttons large, sleeves voluminous. Draped silhouette, loose, almost coat-like. Black loafers with white socks, one boot held in hand. The styling feels offbeat, deliberate, almost mischievous.
Look Two
Green and black striped sweater, buttoned collar neat. Green skirt paired with tights, black shoes grounding the look. Seated on wooden chair, legs crossed, hand under chin. Minimalist setting, contemplative pose.
Look Three
Light pink button-up shirt, patterned tie, black trousers. White socks, black shoes, trench coat draped over shoulders. Seated on director’s chair, spotlight behind. Hair long, hand resting on face. Vintage editorial energy, muted palette.
Look Four
Light shirt, sleeves rolled, tie loose. Tattoo visible on inner arm. Pose casual, one arm bent, hand resting on forearm. Background neutral, lighting soft. The mood moody, artistic, pared down.
Rihanna wore a copper satin slip dress and cropped olive bomber jacket to the Don’t Be Dumb album release party in New York City.
It’s January in New York–damp, biting, unforgiving–yet here is Rihanna outside the Don’t Be Dumb release party, effectively ignoring the thermodynamics of winter. She stepped out Thursday night to support A$AP Rocky, wearing a look that feels less like a calculated stylist pull and more like a mood board for late-night indecision. The base is a copper satin slip, liquid and heavy, clinging with that specific bias-cut unforgiveness. Over it, she threw on a cropped olive bomber jacket with a shearling collar–a necessary piece of friction against all that delicate shine.
She anchors the outfit with barely-there metallic sandals, a choice that screams car-to-door luxury rather than pedestrian reality. It’s a study in celebrity style that relies entirely on attitude to sell the disparity between the utilitarian outerwear and the bedroom dress. A massive gold feline choker sits at the throat, adding a layer of aggressive wealth to an otherwise relaxed silhouette.
