Elisha Cuthbert wore a black ribbed zip-up sweater over a glitter star tee with jeans during the Lucky Girl promo photoshoot in 2001.
For the 2001 promotional photoshoot of Lucky Girl , Elisha Cuthbert is captured in a look that emphasizes celebrity photoshoot-coded casual chic reframed as studio portrait clarity . Against a plain white backdrop, she wears a black ribbed zip-up sweater layered over an orange shirt with a glittery star motif , paired with blue jeans .
Her styling is relaxed yet deliberate: shoulder-length blonde hair in loose waves frames her face, while her pose — hands tucked into the sweater’s pockets — situates the frame within styled shoot-coded ease . The ensemble balances youthful energy with understated polish, reflecting the early 2000s aesthetic of approachable glamour.
Emma Roberts wore multiple festive outfits, including bold red, lace, and tailored ensembles, for the Loft Holiday 2025 campaign photoshoot.
For the Loft Holiday 2025 campaign , Emma Roberts is photographed in a series of distinct ensembles that emphasize celebrity photoshoot-coded versatility reframed as editorial spectacle . Against vibrant backdrops of red and pink gradients, she embodies the festive mood through multiple fashion registers.
- Look 1: Yellow Statement Ensemble Roberts wears a bright yellow off-the-shoulder sweater paired with a satin maxi skirt , styled with a black beanie and loafers . The pose, arm raised against a pink background, situates the look within styled shoot-coded vibrancy , reframing casual knitwear as celebratory fashion.
- Look 2: Red Bow Dress In another frame, she appears in a short red dress with a large bow detail on the chest , paired with red tights and bow-adorned shoes . The monochromatic styling situates the look within holiday-coded exuberance , emphasizing bold color coordination.
- Look 3: Lace and Tailoring Contrast Roberts poses in a sheer beige lace top with layered ruffles and flared sleeves , paired with high-waisted black pants . The expressive posture situates the look within editorial-coded delicacy , balancing romantic lace with structured tailoring.
- Look 4: White Pantsuit She stands confidently in a white pantsuit with wide-legged trousers and a matching blazer , paired with brown pointed-toe shoes . The dynamic stance against a red-pink gradient situates the look within fashion spread-coded empowerment , reframing tailoring as festive strength.
- Look 5: Sherpa Outerwear Roberts wears a cream-colored sherpa jacket with a wide collar , layered over light-toned pants and a dark hood. The styling situates the look within holiday-coded coziness , reframing winterwear as editorial statement.
- Look 6: Black Sparkle Ensemble She appears in a black jacket and skirt adorned with sparkling embellishments resembling starbursts , paired with a high collar silhouette. The festive sparkle situates the look within holiday-coded glamour , reframing embellishment as celebratory punctuation.
Gillian Anderson wore a black leather jacket in a close-up portrait for the Elle France November 13, 2025 cover, highlighting feminist fashion themes.
For Elle France ’s November 13, 2025 issue , Gillian Anderson is photographed in a close-up studio portrait , wearing a black leather jacket and resting her face on her hand. The image emphasizes celebrity photoshoot-coded restraint reframed as editorial clarity , situating Anderson within a narrative of high fashion-coded minimalism .
Her styling is pared back, with natural makeup and a direct gaze, underscoring the cover’s focus on beauty shot-coded intimacy . The leather jacket, a garment historically associated with rebellion and power, reframes Anderson’s presence as both cinematic and cultural.
The accompanying editorial text situates Anderson within a broader conversation about feminism, relationships, and resilience. Headlines such as “Être sexy, c’est féministe ?” and Anderson’s own statement “Soyons courageuses” frame the cover as a manifesto of strength. The issue explores themes of empowerment, emotional honesty, and the negotiation of identity in modern life, aligning Anderson’s portrait with a cultural moment where fashion becomes a vehicle for feminist discourse.
This integration of fashion spread-coded austerity with editorial-coded activism suggests that Anderson’s cover is not merely aesthetic but symbolic — a reflection of how clothing and portraiture can embody courage and conviction.
