A sculptural black gown, rustic backdrop, and unapologetic gaze — Eliza Scanlen’s fashion photoshoot for Numéro Netherlands is a masterclass in high fashion tension.

There’s a certain magnetism in contrast — and Eliza Scanlen channels it with precision. In the March 2025 issue of Numéro Netherlands , captured by Annabel Scanlen, she stands against a weathered wooden wall in a strapless black gown that’s anything but passive.

The dress is a study in dimensionality: sequined floral appliqués bloom across a glossy surface, catching light like lacquered petals. The silhouette is classic editorial — fitted through the bodice, cascading below — but the texture pushes it into high fashion territory. It’s not just a fashion spread; it’s a sculptural moment.

Scanlen’s pose is deliberate: hands anchored at the hips, shoulders squared, eyes locked with the lens. Her hair, styled in soft waves pulled half-up, adds a touch of romanticism. The makeup is bold — red lips, smoky eyes — a cinematic nod that evokes old Hollywood with a modern bite.

No jewelry, no distractions. Just fabric, face, and force. The rustic backdrop tempers the gloss, grounding the look in something elemental — like couture meeting cabin. It’s a studio portrait that doubles as a beauty shot, a styled shoot that whispers editorial authority.

In a season where fashion photoshoots often chase spectacle, this one leans into restraint. It’s high fashion reimagined as quiet power — and Eliza Scanlen wears it like armor.

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Rustic wood, sequined florals, and a stare that doesn’t blink — is this the new language of editorial dominance?

Explore more editorial moments in our celebrity photos archive.

Nathalie Emmanuel embodies dramatic volume as a fashion show guest in London, perfectly channeling the designer’s theatrical, gender-fluid aesthetic (—a glorious, architectural celebrity event look for Spring/Summer 2026).

One look at an event appearance by Nathalie Emmanuel at a Harris Reed show and you know: the style brief was not subtle. The actress, known for her sharp cinematic presence, masters the kind of architectural drama that is the designer’s signature. Her celebrity event look for the Spring/Summer 2026 show in London is a sophisticated, high-contrast study in structured volume.

The foundation of the ensemble is a deconstructed, dramatic suit in black and white. The Outfit Focus is a striking, fitted garment that appears to be crafted from a heavy, matte crepe or suiting fabric. The silhouette is instantly arresting, featuring an exaggerated, almost architectural shoulder —a classic Reed element that immediately elevates the wearer’s attitude. The true drama, however, is unleashed from the waist down: a cascade of black and white sheer fabric, resembling layered tulle or mesh , adds explosive volume and theatrical texture, a deliberate counterpoint to the sleek top half. A massive, structured oversized bow sits prominently on the hip, drawing the eye to the unconventional cut.

Her Accessories are minimal yet impactful. She carries a small, black clutch (likely leather or satin) and wears simple, elegant gold rings and delicate earrings . Her shoes, visible beneath the voluminous skirt, are black, classic, pointed-toe pumps , providing a grounding counterpoint to the fashion spectacle. The entire look speaks the language of modern, gender-fluid front row fashion .

The Atmosphere of the fashion show guest is one of confident composure; Emmanuel’s pose is controlled and elegant, letting the clothes—and the designer’s vision—do the talking. This is more than an outfit; it’s a living endorsement of Cultural Context . It references the golden age of dramatic, sculpted glamour while maintaining a thoroughly modern sensibility through its monochrome palette and deconstructed elements.

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The Styling Cohesion is impeccable: her dark, naturally curly hair is pulled back in a sleek, low ponytail or bun, allowing the architectural neckline and voluminous shoulders to dominate the visual field. Her makeup features a subtle smoky eye and a nude lip, ensuring the attention remains fixed on the garment’s commanding structure and the theatrical mood of the whole public appearance . It’s the perfect blend of actressial presence and high-concept design, proving that sometimes, the most sophisticated look is also the loudest.

So, is this the moment the celebrity fashion world finally embraces the art of the intentional, structural spectacle?

Candice Swanepoel, Amelia Gray, and Daiane Sodre unveil a sculptural active glamour for the Alo campaign, defining the new high fashion codes of the luxury wellness photoshoot (—a power trio commanding the ultimate styled shoot from Steven Meisel).

When the biggest names in the industry—Meisel, Cerf de Dudzeele, and models like Candice Swanepoel —converge, the result is never just an ad; it’s a cultural shift. Alo’s latest fashion photoshoot for their first bag collection is a potent study in elevated athleticism, transforming activewear into a bold statement of high fashion .

The campaign image captures the three models in a dynamic tableau, seamlessly blending strength with a sultry, wet-look sheen. Each woman embodies a powerful, confident pose , their bodies positioned to highlight the precision-cut silhouette of the Alo activewear. The garments themselves—matching sports bras and leggings —are rendered in dark, saturated colors, their performance texture emphasized by the dramatic studio portrait lighting. This minimal canvas allows the eye to focus entirely on the models’ presence and the high-end accessories.

The crucial design story here lies in the accessories . Candice Swanepoel, Amelia Gray, and Daiane Sodre are each styled with key pieces from The Bag Collection , such as the quilted Balance Bucket bag and other structured luxury totes. This pairing of athletic wear with high-end, non-gym accessories —adorned with the signature Alo Intention Crystal —signals the brand’s clear ambition to move beyond the mat and into the daily luxury market.

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The beauty shot is defined by a fierce, cohesive aesthetic across all three: hair is slicked back with a ‘just worked up a sweat’ appearance, creating a sleek, almost molded silhouette around the face. The makeup is minimal, highlighting a healthy, glossy skin texture that catches the light in a striking, hyper-real way. This intentional styling choice by Guido Palau and Pat McGrath ensures the atmosphere is raw, powerful, and utterly glamorous.

This is a new archetype of luxury—where the confidence of the gym meets the craftsmanship of a major fashion house. The trio’s commanding presence under Meisel’s lens solidifies this campaign as the moment luxury wellness took its place in the editorial hierarchy.