Elizabeth Berkley wore a black suit at the Women in Entertainment Gala in Beverly Hills on December 3, 2025.
Elizabeth Berkley attended The Hollywood Reporter’s Annual Women in Entertainment Gala in Beverly Hills on December 3, 2025, wearing a black suit that fused minimalist tailoring with quiet authority. The structured silhouette , composed of a fitted blazer and matching trousers, was paired with a black top that softened the ensemble’s sharpness without diluting its intent.
Her black handbag , featuring a gold clasp, added a subtle accent — not decorative, but declarative. No visible jewelry competed with the look’s clarity. The absence of embellishment was the point: this was red carpet fashion that spoke in understatement, not spectacle.
Olivia Munn wore a Lanvin Pre-Fall 2025 look at the Women in Entertainment Gala in Beverly Hills on December 3, 2025.
Olivia Munn attended The Hollywood Reporter’s Annual Women in Entertainment Gala in Beverly Hills on December 3, 2025, wearing a Lanvin Pre-Fall 2025 look that fused gothic softness with sculptural clarity. The long black silhouette , layered and sheer, featured translucent sleeves and a tiered skirt that moved with cinematic rhythm — a gesture that softened the formality without diluting the impact.
The fabric’s matte finish and absence of embellishment allowed the structure to speak for itself. Her footwear — the Lanvin Midnight Step Sculpted-Heel Sandals — added architectural punctuation beneath the flowing hem, grounding the look in modernist logic.
Aishwarya Rai wore an embellished black and white gown at the Red Sea Film Festival opening on December 4, 2025.
Aishwarya Rai attended the opening night red carpet for Giant at the 2025 Red Sea International Film Festival in Jeddah, Saudi Arabia, wearing a black and white ensemble that fused regal ornamentation with theatrical precision. The floor-length gown , constructed from alternating panels of black and white fabric, featured silver embellishments and sequins that cascaded across the bodice and skirt like ceremonial embroidery.
The fitted silhouette transitioned into a flowing hemline trimmed in black, anchoring the visual rhythm. Over the gown, Rai wore a black jacket with ornate silver embroidery on the sleeves and shoulders — a gesture that reframed the look from couture to costume, invoking royal portraiture and operatic drama.
