Elizabeth Debicki wore a plunging velvet suit to the Giorgio Armani Prive Haute Couture Spring/Summer 2026 show in Paris on January 27, 2026.
Elizabeth Debicki arrived at the Giorgio Armani Privé Haute Couture Spring/Summer 2026 show in Paris on January 27, 2026, in a look that made silence feel more powerful than shimmer. No gown. No gown needed. She wore a razor-clean black velvet suit , the jacket low-cut to the sternum , fastened with one soft, pale button. Everything else disappeared into texture. It was shadow and depth—no sequins, no shine, just matte-black gravity.
The tailoring held. Not sharp like armor, but smooth like sculpture. The trousers pooled slightly at the bottom , barely skimming the floor, the hem swallowing just enough of her shoes to let you know she was standing steady, not stomping. One hand in the pocket. Hair left loose—impossibly blonde, ironed but not severe. Makeup minimal. No earrings. No necklace. Just skin, velvet, and presence.
Pom Klementieff wore a black sequin coat with colored stones at the Giorgio Armani Prive Spring/Summer 2026 Haute Couture show on January 27 in Paris.
At the Giorgio Armani Prive Haute Couture Spring/Summer 2026 show during Paris Fashion Week , Pom Klementieff appeared in something that captured Armani’s language with eerie precision. A long black sequin coat , sleek as lacquer, scattered with colorful gem‑like details —each one reflecting light like a punctuation mark on fabric. The deep V‑neckline left bare skin to offset the structure. Pockets casually held, almost defiant.
Hair slicked tight, almost sculptural. A matte red lip, no distraction elsewhere. Beneath the shimmer, sheer black tights and sharp pointed heels gave order to the chaos of light. It was quiet but firm—one of those front row fashion statements that whisper rather than shout.
Nicole Scherzinger wore a printed maroon maxi dress and floral lei to a cultural event at the Liliuokalani Center in Honolulu, January 2026.
Nicole Scherzinger attended a cultural event at the Liliuokalani Center for the Performing Arts in Honolulu on January 26, 2026, wearing a look that was equal parts celebration and rooted elegance. Her outfit: a floor-length, tropical-printed maroon maxi dress , softly gathered at the waist and draped with ease. The sleeveless cut, slight V-front, and subtle sheen of the fabric allowed movement—literal and emotional.
The print read Hawaii without trying too hard—turquoise strokes layered into the weave like wind through palms. But the lei was the actual punctuation here. A full draping of fresh layered island flowers , in soft yellows and cream, wrapped twice around her shoulders, grounding the entire look in the moment rather than the carpet.
