Elizabeth Debicki wore a deep velvet pantsuit with flared legs and a plunging neckline on the Elle UK January 2026 cover shoot.
For the Elle UK January 2026 edition, Elizabeth Debicki doesn’t pose so much as lean—shoulder half-pressed into the frame of a doorway, hands tucked in her pockets like she has nothing to prove and even less to explain. It’s more posture than pose. No tension. Just presence.
She’s dressed in a sharply tailored black velvet pantsuit , cut with restraint and a whisper of drama. The blazer is single-breasted, with an exaggerated V -shaped neckline that plunges decisively low—no blouse, just skin, light, and fabric. The trousers sit clean at the waist and fall into an exaggerated flare that skims the carpet, long enough to disappear into the soft shadows near her feet.
There are no loud accessories, no unnecessary styling flourishes. One single gold button holds the jacket in place. That’s all. The texture of the velvet absorbs the chandelier light behind her, complicating the color until black looks like ink, or midnight, or deep moss depending on what part you focus on. Hair? Loose, wavy, barely touched. Almost like she walked in barefoot then added shoes at the last second. Minimal makeup. Brow intact. Skin even.
It’s a quiet kind of high fashion . Not shimmery or bright. It doesn’t sell drama. Just shape, texture, patience. And Elizabeth, as always, knows how to carry weight while making it look effortless.
The fashion verdict ? Intellect meets softness. Tailoring this silent makes a louder statement than any gown.
Kiernan Shipka’s Industry Confessions February 2026 shoot moves between pink coats, roses in hand, green gardens, and blue floral ease.
In Industry Confessions, Kiernan Shipka stands against a red brick wall, pink coat buttoned, black heels sharp. Trees behind her shift between green and autumn tones. The pose is steady, almost quiet.
Another frame leans darker. A pleated skirt, black collar, roses in hand. Reclining against a hedge, the white petals cut against the outfit’s texture. It’s softer, but not fragile.
Then the garden. Light green coat, oversized buttons, white shoes. Sunlight filters through leaves, bushes trimmed, flowers neat. The coat feels heavy, but the scene glows.
Last frame: blue floral dress, sneakers with red accents, socks pulled up. Sitting on grass, leaning back, flowers crowd the edge. It’s casual, almost playful.
Together, the spread doesn’t flatten her. It lets her shift. Brick, roses, garden, grass. Each outfit carries its own imperfect rhythm.
Mckayla Twiggs wore a white strapless romper with sheer black tights to the 2026 Universal Music Group Grammy Afterparty in Los Angeles.
At the Universal Music Group’s 2026 Grammy Afterparty at NYA WEST in Los Angeles, Mckayla Twiggs took the black carpet in a look that fused youthful bluntness with studio-glow slickness. It was compact. Purposeful. A little bratty—because it should be.
She wore a white strapless romper , buttoned at the bust and punctuated with symmetrical gold-tone zippers like something pulled from 2010s Frank Ocean visuals or mall-core’s rejected chic twin. The tailoring hugged at the ribs, then relaxed slightly through the hips—clean but not restrictive. The playsuit cut said “I’m not freezing,” even while the sheer black tights underneath said, “I definitely am.” That’s balance.
Her shoes: patent black heels , sharp toe, with a slim ankle strap barely visible behind the sheen of hosiery. Nothing ornamental. Just movement. Her hair , soft and parted down the center, fell in loose waves past her shoulders—glamorous, sure, but not trying to prove it. Makeup stayed youthful: flushed cheeks, fresh brow, a glossed mauve-pink lip, lined just enough to matter.
She skipped a clutch altogether. Smart call. The outfit didn’t need interruption. The overall tone? Like she drifted out of a photoshoot and landed, perfectly unfazed, into a media event . There was no hard posing, just presence.
The fashion verdict ? Tight, edited, fast. Mckayla kept it light—sharp enough to cut through the noise, soft enough not to get stuck in it.
