Elizabeth Debicki wore a shearling-trimmed puffer, cable-knit turtleneck, and boots after returning from Paris Fashion Week on January 28, 2026.
Spotted rolling back through the Eurostar terminal after a quick Paris pivot, Elizabeth Debicki looked like the tall girl version of a travel-day moodboard. Calm. Warm. Unbothered. Towering even when blending in.
She wore a cropped black bomber-style puffer jacket , but this wasn’t subtle. The sleeves and body were paneled with oversized ivory shearling , and stitched with Western-style star appliqués. A look that says: yes, I saw the show, and no, I’m not checking this coat. The puff is real. It frames her, soft but sharp at the same time.
Underneath: a chunky, oversized white cable-knit turtleneck , the collar climbing up, folding over like a knitted barricade. The sweater adds warmth and volume, layered without any need to show shape. The jeans? Mid-wash, straight-leg, ankle-grazing and likely vintage or at least made to feel that way—zero stretch, clean lines. Worn-in, not distressed.
Footwear? Chunky Chelsea boots in smooth black leather. Grounding yet sleek, avoiding the clunky energy some airport-style boots fall into. No wild pumps. No statement loafers. Just urban utility done with clarity.
Minimal visible accessories. A camel-tone leather carry-on peeks just out of frame. No sunglasses this time. Just wire-frame aviators pushing casual into calculated. Hair tousled, loose. Face fresh, makeup reduced to faint contours if any. It’s giving: no makeup, no problem.
Coming off Paris Fashion Week , where front row fashion often climbs into a hyper-styled stratosphere, Elizabeth’s return look is refreshingly grounded. This isn’t “off-duty” in the curated sense—it’s a reminder that real celebrity street style lives in subtle contrasts: oversized next to streamlined, luxury textures worn like chores, softness laced through utility gear.
Olivia Rodrigo wore a Valentino pink bow-trim mini dress and Louboutin platforms for her Resonator Awards studio portrait on January 27, 2026.
For her portrait ahead of the Resonator Awards, Olivia Rodrigo did something she’s become quietly great at—show up looking sweet, sharp, and just slightly out of reach.
She wore a delicate Valentino pink silk mini dress , styled with visible intention and nothing extra. The fitted bodice, ruched horizontally, gave subtle structure without cinching too tight. But it’s the three black velvet bows slicing across the front that did the real talking. They sit like punctuation—one under the bust, one across the waist, and a final one hovering just above the hips. It gives the whole look a stacked ribbon effect, like she’s giftwrapped in punctuation marks.
The silhouette was sleek, stopping mid-thigh, no frills at the hem, just clean lines. The neckline dips into a soft V, supported by whisper-thin straps—almost invisible against her skin, just there enough to hold the dress up.
Kathryn Newton wore a sheer black lace dress with velvet trim to the Wuthering Heights premiere in Los Angeles on January 28, 2026.
At the Wuthering Heights world premiere in Los Angeles, Kathryn Newton stepped through the red-and-green entrance in something that felt like gothic romanticism softened by charm. A dress you might expect in a Tim Burton prom sequence. But grounded. Sweet, even.
She wore a black lace dress layered over a beige-nude underlay, the contrast giving the look a carved feel—more graphic than delicate. The lace isn’t fragile—it holds every line like it means it. There’s a faint shimmer to it as well, something metallic or simply well-lit. Either way, the light clings to it like moss on stone.
Trimmed in black velvet, the piece features sharp central paneling that keeps it structured without going stiff. Long sleeves, sheer but not weightless. The hem hits above the knee, classic and slightly boxy. Button detailing travels up a black placket, breaking up the lace with cozy precision.
She styles it with sheer black tights and glossy black platform heels, finishing the look without pushing too hard. The most unexpected touch? Fingerless lace gloves—an almost theatrical gesture that doesn’t overwhelm. It whispers, rather than shouts. Glam but approachable.
Her hair is softly curled, parted in the center, curtain bangs framing her face. The makeup is clean—sweet pink lip, defined liner, lashes, flushed cheek. There’s something porcelain-doll-meets-pop-girl in the whole construction.
