A cascade of sequins, floral appliqué, and fearless poise—Elizabeth Gillies turns the PatBO fashion show into a garden of glam (with zero hesitation).
Elizabeth Gillies didn’t just attend the PatBO show at New York Fashion Week—she bloomed. On September 16, 2025, Gillies arrived in a look that felt less like a dress and more like a declaration: femininity, but make it fierce.
Her gown, sleeveless and floor-length, was drenched in red and pink floral embellishments, each petal sequined and strategically placed to sculpt the silhouette. The fabric shimmered under the venue’s overhead lighting, catching every camera flash like a firework in slow motion. It’s a dress that doesn’t whisper spring—it roars it, even in fall.
The cut was clean and body-conscious, with a sheer overlay that added dimension without distraction. No visible jewelry, no competing accessories—just the gown and Gillies’ presence. Her hair, styled in soft waves, framed her face with a romantic ease, while her makeup leaned glowy and editorial—think flushed cheeks, defined eyes, and a lip that didn’t try too hard.
A maroon gown with painterly florals and sheer sleeves—Julia Butters brings romantic maximalism to PatBO’s NYFW show (and yes, it bloomed).
Julia Butters didn’t just attend the PatBO fashion show—she arrived like a walking canvas. On September 16, 2025, at New York Fashion Week, Butters stepped into the spotlight in a look that fused theatrical elegance with botanical exuberance.
Her gown, a floor-length maroon piece, was adorned with oversized floral prints in shades of pink, peach, and green—each bloom rendered with painterly precision. The off-the-shoulder neckline and sheer fabric around the arms added softness and movement, while the structured silhouette kept the look grounded. It’s a dress that evokes the romance of a Frida Kahlo portrait with the polish of a couture runway.
On her feet: white floral high-heeled shoes that echoed the motif without competing for attention. No visible jewelry, no handbag—just the dress, the stance, and the moment. Her hair, styled in soft waves, framed her face with youthful ease, while her makeup leaned fresh and luminous—think dewy skin, defined lashes, and a barely-there lip.
A bare shoulder, a gel pot, and a brush mid-swipe—Barbara Palvin’s Inglot campaign is part beauty ritual, part cinematic close-up (and fully magnetic).
Barbara Palvin doesn’t just model makeup—she makes it feel like a moment. In the Fall 2025 campaign for Inglot Cosmetics, Palvin invites us into the ritual, not just the result. The imagery is intimate, high-resolution, and arrestingly simple: a plain white backdrop, a black off-the-shoulder top, and a gaze that holds.
The focal point? A winged eyeliner in progress. Palvin holds a pot of black gel liner in one hand, while the other guides an angled brush with surgical precision. The line is bold, clean, and unapologetically graphic—evoking the kind of beauty seen in Helmut Newton portraits or early 2000s backstage Polaroids. It’s not just makeup; it’s mood.
Her skin is luminous and untouched, lips slightly parted, hair cascading in soft brown waves. The absence of jewelry or embellishment feels deliberate—letting the eyeliner and expression do the storytelling. The black off-the-shoulder top adds contrast and elegance, framing her collarbones like a minimalist sculpture.
