Elizabeth Olsen unveils a daring Khaite Resort 2026 leather dress, pairing it with an unexpected pop of color at ‘The Road to the Golden Globes’ party.
Sometimes, the most memorable looks are the ones that challenge expectations. Elizabeth Olsen arrives at ‘The Road to the Golden Globes’ party at the Toronto International Film Festival with a sartorial punch: a striking leather dress that merges severe elegance with a playful, neon secret. This isn’t just an outfit; it’s a statement, a daring exploration of celebrity fashion that sets her apart.
Olsen dons a sleeveless black leather dress from Khaite’s Resort 2026 collection . The garment features a high, structured collar that gives it an almost futuristic, architectural feel, while a deep V-neck plunge reveals an intriguing flash of neon lime green from the Cuup Balconette Mesh Bra in Leaf worn underneath. The dress’s silhouette is both sharp and fluid, with clean lines that give way to an asymmetric, ruffled hemline, adding a touch of softness to the otherwise edgy material. The leather’s subtle sheen catches the light, giving the look a luxurious, almost rebellious texture.
The deliberate choice of the vibrant green bra provides a jolt of unexpected color against the stark black leather, transforming a potentially severe look into something fresh and exciting. Olsen keeps her accessories minimal, allowing the dress and its intriguing cut-out to remain the focal point. Her hair is styled with a soft, face-framing fringe and long, flowing waves, balancing the severity of the dress’s collar. Her makeup is natural and dewy, with a focus on luminous skin and a subtle lip color, ensuring that the bold fashion statement truly shines. Her pose is confident and direct, conveying a sense of self-assured style that makes this look undeniably her own.
Natalie Portman dialed down the drama—just barely—at the Road to the Golden Globes soirée, pairing cuffed denim with a blazer shrug that whispered “I could’ve worn couture.”
There’s a particular thrill when a red carpet moment refuses to play by the rules. At the Road to the Golden Globes Party during the Toronto Film Festival on September 6, 2025, Natalie Portman delivered just that—a look that felt like a deliberate sidestep from the expected, a sartorial wink to the fashion crowd.
Portman arrived at the Four Seasons Hotel Toronto in an ensemble that could’ve been plucked from a downtown gallery opening or a late-night script read with Sofia Coppola. The foundation: a crisp white tee emblazoned with a bold red “V”—graphic, slightly rebellious, and unmistakably intentional. Draped over her shoulders, a black blazer hung loose, not worn but wielded, suggesting a kind of off-duty elegance that’s become her signature. The jeans, cuffed and classic, added a utilitarian edge, grounding the look in something real, something lived-in.
But it was the footwear that sealed the mood: black high-heeled sandals, minimal yet assertive, offering just enough polish to remind us this was still a red carpet event—even if it flirted with street style irreverence. No visible jewelry, no clutch, no fuss. The absence of accessories felt like a statement in itself.
Her pose—relaxed, one foot slightly forward, gaze direct—echoed the outfit’s quiet confidence. The lighting, soft and ambient, lent the scene a kind of cinematic hush, as if we’d caught her mid-scene in an indie drama. Hair was worn down, parted naturally, with a subtle wave that nodded to French New Wave heroines. Makeup? Barely there. A hint of rose on the lips, a whisper of liner. It was restraint, not neglect.
Is this the new red carpet language—where denim speaks louder than sequins? Portman’s look felt like a callback to early 2000s minimalism, but with a 2025 twist: intentionality over excess, silhouette over sparkle. It’s a reminder that celebrity style isn’t always about spectacle—it’s about knowing when to pull back.
Imogen Poots attends ‘The Road to the Golden Globes’ party at the Toronto International Film Festival in a look that marries understated Goth with high fashion.
Sometimes a look is all about attitude. At the ‘The Road to the Golden Globes’ party during TIFF, Imogen Poots arrives in a sleek, all-black ensemble that feels both defiant and effortlessly chic. Her outfit defies the usual red carpet playbook of bright colors and heavy embellishment, instead opting for a dark, minimalist aesthetic that speaks volumes. It’s a prime example of a celebrity embracing their unique celebrity style and making a powerful statement.
The black dress, which appears to be knitted or crocheted with a subtle texture, features a cropped poncho-like capelet over the shoulders, adding a layer of sophisticated drama. The main body of the dress is form-fitting with a sheer, almost fishnet-like cut-out on the sides, revealing a hint of skin and providing a modern, unexpected detail. The silhouette is a long, lean column that ends in a ruffle hem just above the ankle, a playful touch that breaks up the severity of the all-black look.
