Elizabeth Olsen wore a beige structured top with a black blazer and trousers while leaving Hotel Le Bristol in Paris on January 25, 2025.
Night in Paris, quiet but with that hum the city always keeps alive. Elizabeth Olsen stepped out of Hotel Le Bristol wearing black trousers and a structured beige top , her outfit sculpted and deliberate. A black blazer framed the look, its slightly widened shoulders giving balance to the top’s tapered waist . She paired it with patent black heels , their gloss reflecting a flash of streetlight.
There’s austerity in the palette but warmth in the movement. The fabrics hold shape — tailored, not stiff. Her hair, long and unstyled, softens the outline. She walks calmly past the entrance glow, face relaxed, more grounded than performative. It’s the sense of someone who doesn’t dress to impress but to move through spaces quietly in command of the moment.
Elizabeth Olsen wore a sculptural black jacket with black trousers at the Jacquemus Mens Fall/Winter 2026 show in Paris on January 25, 2025.
On January 25, 2025, Elizabeth Olsen arrived at the Jacquemus Mens Fall/Winter 2026 fashion show in Paris wearing a tidy, almost severe mix of tailoring and soft texture that reads as street style without trying too hard. The core is a black jacket with exaggerated shoulders and a boxy, folded construction at the upper arm, worn over a taupe-beige top that has a speckled, grainy texture like fine boucle or tweed. Below, she keeps it clean with black trousers that fall straight and slightly loose. In hand: a black top-handle bag with a curved shape and a small gold-toned detail. On her feet, black pointed heels that sharpen the whole silhouette into a clean arrow.
Kiernan Shipka wore a black lace top with wide-leg trousers at the Acura House of Energy during the 2026 Sundance Film Festival.
On January 24, 2026, Kiernan Shipka attended the Acura House of Energy at the 2026 Sundance Film Festival in Park City, UT with an event appearance look that feels like she dressed in five minutes, but with taste. The top is a black lace blouse with a sheer, floral pattern and short flutter sleeves that sit out from the shoulder. It is fitted and cropped, showing a strip of midriff. Underneath, you can see the sheer-to-skin contrast clearly, which is the whole point of lace like this: pretty, slightly blunt, nothing coy about it.
Reader challenge: Is the cropped lace top a smart contrast against the wide-leg trousers, or does it break the silhouette too sharply at the waist?
