Ella Anderson wore a metallic outfit and spiked headpiece for the Schön Magazine digital cover in December 2025.
Ella Anderson appeared on the digital cover of Schön! Magazine’s December 2025 issue (#49), wearing a metallic-toned outfit with structured sleeves and a spiked headpiece — a look that fused futuristic armor with editorial mysticism. The SARAWONG garment , styled with adidas Originals and Malakai + AURA accessories, created a visual language that felt both protective and ornamental — a gesture that reframed cover styling as symbolic reinvention.
The close-up composition , paired with a textured abstract background, emphasized the headpiece’s radial geometry — not just as decoration, but as a halo of transformation. The theme of the issue , “all about reinvention,” found its visual anchor in Anderson’s styling: a portrait of evolution, not just fashion.
Lilimar wore rose-embroidered cowboy boots and a black outfit at the Uber x OpenTable launch event in Miami.
Lilimar attended the Uber x OpenTable launch event “The Art of the Reservation” in Miami on December 3, 2025, wearing a black ensemble punctuated by rose-embroidered cowboy boots — a look that fused Western iconography with nightlife edge. The buttoned top and shorts , paired with sheer tights , created a silhouette that felt both structured and playful, while the red-tinted sunglasses added a note of retro rebellion.
The boots , black with red rose embroidery and red trim , were the outfit’s focal point — not just footwear, but a visual thesis. They reframed the cowboy boot as a statement of urban femininity, not rural nostalgia. The long dark pigtails reinforced the styling’s logic: this was a look built on contrast — soft and sharp, classic and subversive.
Greta Lee wore multiple avant-garde looks for her WWD Magazine December 2025 fashion editorial.
Greta Lee appeared in WWD Magazine’s December 2025 editorial, photographed in a series of avant-garde compositions that fused sculptural fashion with spatial tension. The shoot featured multiple distinct outfits , each styled to challenge conventional silhouette logic and reframe editorial fashion as architectural storytelling.
In one frame, Lee stands on a rock in a strapless white bow-detail dress , paired with white heels , against a brutalist concrete wall — a juxtaposition that turns elegance into defiance. The diagonal shadow slicing across the blocks adds cinematic weight, making the dress feel like a punctuation mark in an urban poem.
Another image places her in a voluminous black outfit with ornate embellishments and high-heeled boots , seated on a red plastic chair. The minimalist setting — pale blue wall, empty chairs — amplifies the drama of the garment, turning the pose into a statement of modern solitude.
A third look features a structured white sleeveless outer garment with exaggerated shoulders layered over a white top and ruched pants . Lee poses with one foot on a chair and the other on a table, both covered in white fabric — a tableau that evokes performance art more than fashion, where gesture becomes garment.
