Ella Purnell wore a Dolce and Gabbana Fall 2025 embroidered mini dress at the Fallout Tokyo premiere in Japan during December 2025.
From the industrial wastelands of her latest project to the neon-lit streets of Tokyo, Ella Purnell continued her red carpet arrivals for the Fallout press tour with a shift toward intricate maximalism. This appearance for the Tokyo premiere signals a departure from the gritty utility of her onscreen persona, opting instead for a celebrity look that prioritizes high-texture craftsmanship.
The actress wore a Dolce and Gabbana Fall 2025 embroidered mini dress that functions as a wearable reliquary. The garment features a high neckline and long sleeves, completely encrusted with dense surface embellishments. Gold-tone metallic threads, sequins, and dimensional beadwork create a floral and scrollwork motif that recalls the “jewel box” cocktail attire of the late 1960s. While the silhouette is a strictly modern, thigh-skimming cut, the weight of the ornamentation suggests an archival spirit, grounding the couture dress in a historical lineage of Italian opulence.
Analytically, this fashion moment serves as a strategic bookend to her previous press cycle. Much like the Miu Miu ensemble from the London premiere of the first season, this designer outfit relies on a short hemline to balance its heavy detailing. However, where the earlier Miu Miu styling felt disruptive and punk-adjacent, this Dolce and Gabbana selection embraces a more playful, girlish energy. It is a best dressed contender not for its subversion, but for its commitment to the “more is more” philosophy of the haute couture tradition. The choice to pair such a dense, light-reflecting surface with a youthful silhouette suggests a deliberate attempt to modernize heritage glamour for a contemporary global audience.
Does this heavy embroidery feel like a modern evolution of red carpet style, or does it lean too heavily into nostalgic costume?
Margot Robbie wore a red top with loose denim and black accessories while out for a casual Christmas brunch in Venice December 2025.
Spotted in Venice, California, just before Christmas 2025, Margot Robbie looked every bit the blend of relaxed and meticulous that her street style so often nails. She wore a fitted red knit top layered over a tonal camisole, the cropped hem contrasting against loose, mid-wash, straight-leg denim. The jeans were cinched casually with a printed scarf acting as a makeshift belt–a small, improvised detail that quietly pulled the look together.
Her shoes, The Row Elastic Ballet Slippers in Leather , grounded the outfit in understated polish. A black Chloé Paddington bag and rectangular Prada Oval Symbol Sunglasses in Black finished the look with light nostalgia, like 2000s Venice Beach redone for grown-up ease. Hair loose and golden, swept by wind instead of stylists, made it clear this wasn’t a performance–just a lived-in morning on the move.
The look feels soft-spoken but fully composed, layering memory and muscle memory at once. Robbie’s wardrobe doesn’t shout; it just leaves the right kind of echo when she walks by.
Style Dilemma: Is laid-back minimalism still “effortless” when it balances this many subtleties–or does mastery simply look that casual now?
Ariana Grande wore a Bob Mackie multi-color silk-crepe chevron striped halter neck gown with shawl in a December 2025 photoshoot.
Ariana Grande is captured in a striking photoshoot from December 2025, showcasing a Bob Mackie multi-color silk-crepe chevron striped halter neck gown with shawl . The gown features a bold, geometric chevron pattern in warm hues of orange, yellow, and brown, creating a dynamic visual rhythm. The halter neckline and draped shawl add a touch of drama, while the floor-length silhouette exudes timeless elegance. Grande’s hair is styled in a sleek, high ponytail, and her makeup is polished yet understated, allowing the gown’s vibrant pattern to take center stage.
