Ella Purnell wore a rainbow sequin dress in a neon-lit arcade for her Entertainment Weekly photoshoot in January 2026.
For her January 2026 Entertainment Weekly feature, Ella Purnell lands somewhere between retro dive bar dream and disco-lit fantasy. She’s leaning on a slot machine, elbow set, eyes daring you to pull the lever. One shoulder forward, like the scene caught her mid-move, mid-thought—and mid-glitter.
The dress is pure lighting bait: full sequins, long-sleeved, body-skimming but not skintight. Studio golds, greens, reds, and saturated blues ping off the fabric like a digital fever dream. The surface flickers with every shift, like it can’t decide whether it wants to be vintage Vegas or downtown club kid or something less referential altogether. Her hair—warm chestnut, blunt bangs, soft waves—is styled loose and nonchalant. Intentional, but not sculpted. Like she showed up already camera-ready.
Tate McRae wore black athletic shorts, a fitted zip-up top, and Bessette sunglasses after a gym session in Studio City on January 28, 2026.
Caught post-workout in Studio City on January 28, Tate McRae left the gym looking like someone who lifts, laces up, and never tries too hard about an errand look. The vibe is gym-core leaning on streetwear—done in all black, naturally.
She wore a long-sleeve quarter-zip athletic top, fitted tight enough to read flex but not overly sculpted. The hem rides up just slightly to show a sliver of midriff—enough to catch sun, not attention. Her gym shorts? Loose-legged, mid-thigh, that swishy synthetic material made for movement but almost too nostalgic to ignore. Layered waistband detail peeking above, giving it just a touch of that early-2010s layered-gym-girl effect.
On her feet: all-black athletic sneakers with pronounced soles, paired with fresh white crew socks, visibly branded. The contrast’s deliberate. Accessories are few but firm—oversized black Bessette “The Nina” sunglasses , practically plastered across her face, shielding any post-workout flush. Ponytail pulled taut and neat. Water bottle and phone in hand, plus what looks like a folded hoodie or gym towel. There’s no glam grab here. Just instinct and utility.
Tyla wore a cropped fur jacket, denim capris, and pink studded heels after the Valentino Haute Couture show in Paris on January 28, 2026.
After the Valentino Haute Couture show in Paris, Tyla pulled off what can only be described as 2005 through the lens of 2026. A chaotic mix of textures, nostalgia, and confidence—all sharpened by the fact that she looked like she knew exactly what she was doing.
Let’s break it down: A heavy, honey-colored cropped fur jacket, fuller than it needed to be, like it wanted to be seen before she did. Underneath, a slinky white crop top—thin ribbed cotton, barely there—which made the coat hit even harder. She paired them with low-rise, distressed denim capri pants. Surprisingly tight. Just past the knee. The kind that sits lower than anyone dared to wear in a decade, but here, somehow, they feel nailed.
On her feet? Pink pointed studded heels, strappy and loud, like bubblegum armor. Then the accessories walked in: A chunky pendant necklace, oversized hoop earrings, silver rings. A beige top-handle bag with chain accents swinging from one hand, like “Yeah, this too.” Most unmissable? The hot pink leather beret-cum-cap mashed low over the forehead, embroidered with symbols—possibly letters. Possibly inside jokes. Either way, it’s part cosplay, part street-slipstream.
