Elle Fanning and Dakota Fanning were seen leaving Chateau Marmont in Los Angeles on January 21, 2026, both wearing dark coats and quiet tailored layers.
It’s night in Los Angeles — damp pavement, soft headlights, laughter hanging just above the chill. Elle Fanning and Dakota Fanning step out arm in arm from Chateau Marmont, bundled but relaxed, more sisterly warmth than celebrity formality.
Elle wears a long charcoal coat with a deep brown collar, the kind of vintage-meets-modern cut that lets fabric drape rather than command. The lines fall straight, clean, no fuss. In her hand: a black leather bag from The Row Dalia Baguette series — discreet design, exact polish. Beneath the hem, a pair of black Khaite Celia Pocket Leather Pumps flash briefly under streetlight.
Dakota matches her energy but shifts tone — a black wool coat that’s heavier, looser, framing her Balenciaga Le City First Bag against the sleeve. Simple trousers, dark shoes. No bold hue between them, only contrast in texture and ease. Her hair is undone, smiling wide; hers is the more lit one in the frame, pulling the duo’s gravity upward.
Kimberley Garner was spotted on a Caribbean beach on January 22, 2026, wearing a yellow string bikini and holding a Coca-Cola can under the sun.
The photo catches warmth before motion — salt haze, soft sand, that unmistakable Caribbean glare. Kimberley Garner stands barefoot near the shoreline, tan under layered sunlight, hair lifting in the breeze.
She wears a bright yellow string bikini , minimal and sharp against the muted beige of the sand. The color does the work here — optimistic, uncomplicated, sunlight in fabric form. The bikini top ties behind her neck and back, while the bottoms hang from slim side cords that dip slightly below the hip bone. A fabric piece, also yellow, wraps casually over one hand, dragging a line through the sand like a paintbrush through dust.
In her other hand, a red Coca-Cola can , a jarring modern accent — metal glint and commercial gleam next to all that nature. Her body language relaxed, somewhere between posing and existing — shoulders loose, one knee soft, the kind of instinctive posture that doesn’t know it’s being watched.
Elle Fanning posed for a January 2026 photoshoot wearing a soft sheer blue top with draped sleeves and minimal makeup focused on radiant skin.
The image feels still, almost quiet — like the camera was breathing with her. Elle Fanning stands slightly off-center, one hand brushing her neck, her gaze measured but not staged. She looks relaxed inside the moment.
She wears a diaphanous blue top , sheer fabric layered loosely over the shoulders, folding like light waves. Draped lines twist gently at the waist, a soft sheath sliding into darker tones below. The transparency adds air more than allure — it’s the kind of look that lives between texture and atmosphere.
Her hair, pale blonde and parted neatly, scatters a few uneven strands down her collarbone. The skin, luminous under subdued light, makes the fabric’s tone echo against her own. The makeup — pink flush on the cheek, a slick of red across the mouth — holds just enough tension to keep it modern, not romanticized.
