Elle Fanning wore a Vivienne Westwood corset top and white trousers at the Apple TV Press Day in Santa Monica 2026.
At Apple TV’s Press Day held at Barker Hangar in Santa Monica on February 3, 2026, Elle Fanning drifted in wearing something that felt half Victorian portrait, half California ease. Her top—the Vivienne Westwood Bea Cardigan‑Effect Cotton Corset in White —sat off the shoulders with small gathered sleeves and old‑style wooden buttons . The shape sculpted the waist without screaming about it. Below, wide‑fit linen‑textured white trousers gave the outfit room to breathe.
Christian Louboutin Miss Z Metallic Leather Pumps peeked out in pale sheen, quietly matching the minimalist palette. A thin Cartier Love Cuff slid over one wrist—just enough polish, not decoration. Hair down, parted slightly; makeup soft with a single note of warm lipstick. Nothing complicated, everything intentional.
It’s a look built on quiet engineering—structured corsetry disguised as simplicity. Westwood’s history in tailoring rebellion meeting modern tech‑day press codes; playful but not too knowing. It’s that rare outfit where every crease feels like it belongs.
Style dilemma: Is this simplicity modern restraint or just Westwood’s rebellion dressed in cream?
Kate Mara wore a black tailored suit with a bralette top at the Apple TV Press Day inside Barker Hangar Santa Monica 2026.
At the Apple TV Press Day on February 3, 2026, Kate Mara walked into Barker Hangar looking crisp, pared back, unsentimental. No shimmer, no flowered corsetry—just clean black tailoring and composure. The black blazer was structured but relaxed at the shoulder, the lapels broad and matte against the light . Underneath, a simple black bralette with straight lines and a deliberate absence of fuss.
The high‑waist tailored trousers echoed the jacket’s restraint, falling wide with subtle button detailing down the hem . Footwear barely peeked out—sharp, pointed toes that completed the geometric rhythm of the outfit. Hair slicked back, part precise; skin calm and minimal; jewelry quiet except for small ear pieces glinting like punctuation.
It’s a kind of power dressing that whispers instead of shouts. The confidence isn’t in the cutout or the silhouette—it’s in the refusal to compromise tone. What she wears feels less like fashion armor and more like silence used well.
Style dilemma: Is this the rebirth of minimalist tailoring or just the natural evolution of restraint?
Melissa Joan Hart wore a silver sequin gown with fringe details at the 7th Annual Jam for Janie GRAMMY Viewing Party 2026.
At the 7th Annual Jam for Janie GRAMMY Awards Viewing Party in Los Angeles on February 1, 2026, Melissa Joan Hart made a quiet case for maturity done right. No fuss, no over‑styled sheen—just a confident shimmer. Her silver sequin gown caught the sunlight as she stepped onto the carpet, fine spaghetti straps anchored over a straight neckline . The light skimmed down to long black fringe beading that moved loosely with each step.
She kept it minimal: small earrings, thin bracelets wrapping the wrist, a black clutch. Hair in a soft up‑do with a few escaped strands, makeup warm and calm rather than glossy. The fit wasn’t sculptural or dramatic, more lived‑in sparkle—like a dress that wants to dance a little but not perform.
Within the night’s parade of statement looks, hers felt deliberate in understatement. Sequins often slide toward flash, but she turns them social—something human, something fun. It’s the kind of glamour that looks best when slightly unbothered.
