Elle Fanning wore a relaxed black pantsuit and Cartier jewelry at the Pillion UTA Screening in Los Angeles, February 2026.
There’s a quiet ease to this look, and frankly, that’s what makes it work so well. At the ‘Pillion’ UTA special screening on February 5, 2026, Elle Fanning didn’t go theatrical, overdone, or overly costumed — she went calm. And that calm matched the room.
She wore a black double-breasted pantsuit with a slouchy drape and a subtle sheen — the kind of fabric that hangs just right without shouting about it. Underneath was a clean, off-white tank top ( or bodysuit — hard to tell, but definitely fitted ) that gave the whole look structure without stiffness. It’s a classic combo, but it doesn’t feel stiff. The wide-leg trousers hit at full length and looked sharply pressed, anchoring the outfit without exaggeration.
The best part? She styled it with a Cartier Juste Un Clou Long Necklace — you know the one, that curved nail shape — and paired it with the Cartier Panthère de Cartier Ring . It’s official: fine jewelry doesn’t need sparkle to command attention. That gold tone against her soft blonde hair and ivory tank created just enough contrast, without ever trying too hard.
If you ask me, this is exactly how you show up to a media event like this. Not red carpet-level glam, not off-duty casual. Something in between, something intentional. It looks comfortable, camera-worthy, and completely her.
Everyone’s chasing the polished-but-effortless mood right now, and this is how it’s done — by skipping everything you don’t need.
To sum it up: no gimmicks, no drama — just clean lines and real polish.
Sophie Marceau wore a dark satin dress in Madame Figaro February 2026, reflecting on fame, freedom, and her return in LOL 2.0.
In Madame Figaro’s February 2026 issue, Sophie Marceau appears in a dark satin dress, white strap peeking out, hand in her hair, gaze steady. The styling is elegant but not overdone — just enough to hold the frame without distracting from her face.
The interview cuts deeper. She talks about saying no — not as rebellion, but as survival. “La porte de sortie a toujours été de dire non.” That line hits hard. She’s not chasing visibility, she’s choosing clarity.
She’s back for LOL 2.0 , still directed by Lisa Azuelos. Her son in the film, played by Victor Belmondo, is becoming a father. That shift — from teen icon to grandmother on screen — doesn’t scare her. It makes her laugh. She’s not trying to be Mariah Carey on a velvet couch. She’s still Sophie Maupu, the girl who offers the coffee.
The piece touches on MeToo, intimacy coordinators, and the old guard still clinging to their bad jokes. She’s blunt: it’s time to speak up. She’s not bitter, just done pretending.
And then there’s the part about America. She felt understood there. Refused roles where women were humiliated for no reason. Never played the Lolita. Never played with fire. At 16, she was living alone. That instinct — to protect herself — saved her.
The editorial closes with her playlist: Damso, Summer Life, Nathy Peluso. Dancing in heels, sometimes alone, sometimes with friends. That’s the image that sticks. Not the dress. Not the fame. Just movement.
Halle Berry wore a cobalt blouse and leather midi skirt with Aquazzura sandals for her February 5, 2026 appearance on The Tonight Show.
This is what late night dressing looks like when you’re not here to play it soft.
On February 5, 2026 , Halle Berry stepped out on the stage of The Tonight Show Starring Jimmy Fallon in a look that feels perfectly pitched: bright, sculpted, and quietly bold. The top half? A cobalt blue blouse with a sharp high neck and an almost hidden cutout at the chest — just enough style edge without diving into gimmick territory.
Then the skirt. Sleek, black, glossy patent leather , fitted to the knee and catching every light on-set. The contrast between the two textures — soft satin against hard shine — made the whole look land harder. She didn’t need a jacket. She didn’t layer accessories. The structure did all the talking.
On her feet: black Aquazzura strappy sandals , simple but angular. Her hair was down in loose waves, with warm honey tones and those ever-present bangs giving a cool softness that didn’t compete with the outfit. Nails were pale, jewelry minimal. The vibe? Clean power.
What worked best is the balance. Bright top, statement bottom, restrained everything else — that’s how you keep visual weight in check on an ultra-lit stage like Fallon’s. You don’t fight the lighting or the energy. You wear something that slices through it.
