Elle Fanning leans into ladylike armor—her belted coat dress and metallic heels turning TIFF’s red carpet into a runway of restrained glamour and nostalgic edge.
There’s a kind of fashion fluency Elle Fanning speaks that few others can match—equal parts ingénue and icon, with a vocabulary that spans powdered pastels and couture punctuation. At the Shutterstock x Entertainment Weekly x People Portrait Studio during the Toronto International Film Festival 2025, Fanning arrived in a look that felt like Chanel Resort 2026 reimagined for a Wes Anderson heroine with a Cartier habit.
The centerpiece: a textured light blue coat dress with a structured silhouette, wide collar, and button-down front. It’s cinched at the waist with a matching belt, giving the look a sculptural clarity that’s both retro and resolute. The fabric—likely a tweed or boucle—carries a tactile richness that photographs beautifully under flash, catching light without veering into shimmer. It’s a silhouette that nods to 1960s mod but with the polish of modern tailoring.
Fanning pairs the dress with Christian Louboutin’s Miss Z Metallic Leather Pumps —pointed, reflective, and unapologetically sharp. The shoes add a futuristic glint to an otherwise nostalgic palette. On her finger, the Cartier 18 Karat White Gold Five Row Diamond Eternity Ring offers quiet opulence, a whisper of excess that never overpowers. The synergy between accessories and outfit is textbook editorial styling—each element distinct, yet harmonized.
This look lands somewhere between Jackie Kennedy and Margot Tenenbaum—ladylike but not precious, structured but not stiff. It’s emblematic of a broader movement in red carpet fashion: the return of the coat dress as a power piece, not just a throwback. Chanel’s Resort 2026 collection leaned heavily into this silhouette, and Fanning’s interpretation feels both on-trend and timeless.
Samara Weaving leans into retro flirtation with a modern edge—her polka-dot satin mini and camera-ready poise turning TIFF’s Getty Studio into a style vignette.
Samara Weaving knows how to make a moment feel cinematic. At the Getty Images Portrait Studio presented by IMDb and IMDbPro during the Toronto International Film Festival 2025, she delivered a look that felt like a still from a lost Sofia Coppola short—quiet, poised, and unmistakably styled.
Weaving wore the Frankies Bikinis x Khy Kenley Satin Mini Dress —a black number scattered with white polka dots, cut with thin shoulder straps and a fitted bodice that flares subtly at the hem. The satin finish gives the dress a gentle sheen, catching light without overwhelming the eye. It’s a silhouette that balances youthful charm with editorial clarity, the kind of piece that could swing from press junket to cocktail hour without missing a beat.
No visible jewelry, no handbag distractions—just the dress, the pose, and the mood. The absence of accessories feels intentional, allowing the polka dots and satin texture to take center stage. It’s a styling move that aligns with the current wave of pared-back celebrity style , where restraint is the new luxury.
In a portrait pairing that feels half Nouvelle Vague, half Scandi noir, Elle Fanning and Renate Reinsve bring textural tension and quiet charisma to TIFF’s Deadline Studio.
There’s a cinematic stillness to the Deadline Portrait Studio at TIFF 2025—and Elle Fanning and Renate Reinsve know exactly how to inhabit it. Captured by Josh Telles, the duo doesn’t just pose; they project. It’s a study in contrasts: Fanning’s pastel polish meets Reinsve’s earthy restraint, creating a visual dialogue that’s more screenplay than snapshot.
Elle Fanning wears a cropped, textured light blue jacket with a wide collar and three decorative buttons—a piece that reads like Chanel softened by Gen Z sensibility. The fabric has a tactile richness, almost boucle-like, and the silhouette is crisp yet playful. It’s the kind of jacket that could anchor a spring editorial or a Parisian café scene, depending on the styling.
Renate Reinsve, meanwhile, opts for a dark brown ribbed sweater with elongated sleeves that graze the hands. The knit is dense, almost sculptural, and the color choice—deep, moody, unflashy—feels deliberate. It’s a quiet power move, the kind of garment that doesn’t need embellishment to make its point.
