Elle Fanning wore a black Cartier-styled gown and the Pavocelle Necklace while posing for the brand’s Golden Globes 2026 campaign photoshoot.
The image feels quietly surreal– Elle Fanning , slim silhouette against a weathered grey studio backdrop, holding a paper star by a thin white string. She looks upward, half-smiling, eyes calm. The clothes and light do all the talking. She’s in a black, structured jumpsuit or gown that falls clean from the waist, the hem pooling at her feet like ink cooling on stone. Nothing ornate, just sharp lines, total restraint.
At her collarbone, a Cartier Pavocelle Necklace –diamonds arranged in deliberate symmetry–anchors the simplicity. Each facet glints gently, almost matching her platinum hair pinned into a low bun. The contrast between the richness of the jewelry and the pared-back setting makes everything tighter, more poetic. It’s luxury stripped of its crowd noise.
Zoë Kravitz wore a Saint Laurent custom gown with Jessica McCormack diamond jewelry at the 83rd Annual Golden Globe Awards in Beverly Hills, 2026.
Zoë Kravitz at the 83rd Annual Golden Globe Awards, Beverly Hills, January 11, 2026. She stands on the red carpet, hands folded, gaze steady, not a hint of nerves. The dress is Saint Laurent Custom Gown –peach satin, straight cut, with a square neckline and delicate green straps. Lace trims the bodice and hem, a little vintage, a little boudoir, but not costume. The fit is loose, almost column-like, with a tiny yellow ribbon at the waist. No train, no drama, just fabric and ease.
Her hair is up, twisted into a messy bun, a single Jessica McCormack Custom Diamond Hairpin sparkling at the crown. Earrings are Jessica McCormack 4Ct Diamond & Blackened Gold Studs , bold but not flashy. On her hands, a stack of Jessica McCormack Carmela Diamond & Blackened Gold Spaghetti Hoop Band , Oval Diamond Eternity Band , and Medium Cut-Down Blackened Gold Band . She holds a Tyler Ellis Lee Pouchet Clutch Small in Ivory Satin . Shoes are hidden, but per context, Saint Laurent Frankie Mules in Satin Crepe . Makeup is soft, a little bronzer, lips a muted rose, eyes defined but not heavy. Hair looks impossibly healthy–maybe it’s the Cecred Nourishing Hair Oil .
This is a look that leans into quiet luxury–no fuss, no sparkle overload, just a sense of comfort and confidence. The Saint Laurent gown is all about subtlety and texture, but Zoë’s styling keeps it modern–no extra shine, no wild hair, just a sense of ease. For those who follow red carpet fashion , it’s a reminder that sometimes the best move is to let the fabric and the details do the talking.
She could be anywhere–a gallery, a dinner, or just lost in the crowd. Tonight, she’s here, and the lace does all the work. The rest is just a whisper.
Giovanna Ewbank appears in the January 2026 issue of Numéro Netherlands, photographed in several striking outfits that highlight texture, contrast, and editorial edge.
January 2026. Giovanna Ewbank against a minimalist wall, sequined gown clinging, feathered cuffs brushing against wood. Colors shifting — pink, gold, black — textures colliding. One arm raised, touching the central beam, pose deliberate, almost theatrical but grounded in the everyday geometry of the building.
Another frame, another rhythm. A black outfit layered: coat, skirt, boots with fringe, hat tilted. Background traditional, Japanese wall with tiled roof, evergreen trees rising behind. The look sharp, cultural contrast loud. Fashion pressed against history, modern lines against old stone.
Third look, autumn setting. White fur coat heavy, sheer stockings dotted, black heels steady. Leaves yellow, tree blazing, ground covered. The coat stark against the warmth of the season. A scene that feels cinematic, yet raw.
Fourth outfit, brick wall backdrop. Bodysuit brown, sleeves voluminous, tights sheer with polka dots. Shadows cast across the wall, shapes bending, adding depth. The pose direct, outfit textured, atmosphere heavier.
Her styling here: deliberate opposites. Sequins and feathers, then fringe and hat. Fur coat against autumn leaves, then bodysuit against brick. Together they form a fashion spread stitched from fragments. A celebrity photoshoot that resists glamour excess, leaning instead into texture, setting, and mood.
