Elle Fanning wore a blue off-shoulder Rodarte dress and silver sandals for her Astra Film Awards portraits on January 9, 2026.
Elle Fanning in the studio, Astra Film Awards portraits, January 9, 2026. She stands against a black backdrop, holding her trophy, not a hair out of place. The dress is Rodarte –soft blue, off the shoulder, with a bow at the sleeve and a gentle peplum at the waist. The skirt is long, flowing, cut wide so it moves even when she stands still. The fabric catches the light, but never shouts. It’s the kind of blue that feels like a sigh, not a statement.
Her hair is down, parted to the side, smooth and simple. Makeup is minimal–just a flush of pink on the cheeks, a little gloss, nothing heavy. On her feet, Aquazzura So Nude Sandals –silver, strappy, barely there. No necklace, no earrings visible, just a Cartier Broderie De Cartier Ring on her finger, a small detail for anyone looking close.
It’s a look that feels easy, almost old-fashioned, but not in a costume way. For those who follow celebrity photoshoot , it’s a reminder that sometimes the best portrait is the one where the clothes don’t try to steal the show. Just a woman, a dress, and a quiet kind of confidence.
She could be anywhere–a studio, a living room, or just lost in her own thoughts. Tonight, she’s here, and the blue dress does all the talking. No need for extra sparkle.
Kylie Jenner wore a metallic Ashi Studio custom gown with crystal straps at the 83rd annual Golden Globe Awards in Beverly Hills on January 11, 2026.
Kylie Jenner at the 83rd annual Golden Globe Awards in Beverly Hills, January 11, 2026. She’s not on the red carpet–she’s at the table, surrounded by flowers, glassware, and the low buzz of a real party. The dress is Ashi Studio Custom Gown –metallic, almost liquid, with a sculpted bodice and a web of crystal straps that frame her shoulders and arms. The neckline is deep, the fit is sharp, and the whole thing glints under the lights. It’s not loud, but it’s impossible to ignore.
Her hair is pulled back in a tight ponytail, glossy and severe. Earrings are big, floral, and sparkling–no necklace, no fuss. Makeup is soft, a little glow, brows brushed up, lips a muted rose. She’s not posing, just listening, half-turned, a little distant. There’s a gold clutch on the table, a swirl of glassware, and a sense that she’s both part of the party and somewhere else entirely.
This is not a look that tries to outshine the room, but it doesn’t blend in either. The Ashi Studio gown is all about structure and shimmer, but the real story is how it sits–unbothered, a little futuristic, but still grounded in the moment. For those who track celebrity style , it’s a reminder that sometimes the best fashion moment happens when you’re not even looking at the camera–just sitting, waiting, letting the dress do the work.
She could be anywhere–a gala, a rooftop, or just lost in her own thoughts. Tonight, she’s here, and the crystal straps do all the talking. No need for extra drama.
Alison Brie wore a sleek black floor-length dress with a plunging neckline and diamond necklace at the 2026 Golden Globe Awards in Beverly Hills.
Alison Brie on the Golden Globes red carpet–serene, no tricks. A long, deep-V black gown , fabric matte and fluid, finding its shape through gravity more than tailoring. The front gathers just beneath the bust, a soft cinch that stops the dress from feeling too geometric. It’s a clever quietness–nothing shouting, yet unmistakably defined.
Her diamond lariat necklace slices through the neckline in a clean vertical line. A bit of shimmer, just enough. Hair straight, thick fringe brushing her eyes like punctuation, the rest falling easy across one shoulder. Minimal makeup, a softened glow, nude lip, the kind of precision that reads effortless but isn’t.
The silhouette reminds you that simplicity in eveningwear isn’t absence–it’s control. On a carpet full of statements, sequins, and uncertain structure, this is restraint worn with total confidence. Bare shoulders, measured lines, quiet presence–it all reads cooler than words like “classic” ever manage.
She doesn’t need movement for the look to speak; the stillness does it better. There’s calm in that black fabric, the kind that memorizes every curve and ignores everything else.
